Steve Ray Vaughan Wolf Marshall

By adding two members to Double Trouble – keyboardist Reese Wynans and saxophonist Joe Sublett – Stevie Ray Vaughan indicated he wanted to add soul and R&B inflections to his basic blues sound, and Soul to Soul does exactly that. It's still a modern blues album, yet it has a wider sonic palette, finding Vaughan fusing a variety of blues, rock, and R&B styles…

Epic's The Essential Stevie Ray Vaughan and Double Trouble gathers two discs' worth of the late blues guitarist's work, including many live performances and a few tracks with the Vaughan Brothers. The collection presents Vaughan's material in roughly chronological order, from the 1980 live recording "Shake for Me" to 1989's "Life by the Drop." It also touches on most of Vaughan's definitive songs and performances, including "Tightrope," "Wall of Denial," "Couldn't Stand the Weather," and "Cold Shot," and live versions of "The Sky Is Crying," "Superstition," and "Rude Mood/Hide Away." Though this album doesn't offer anything that hasn't already been released in some form or another, it does go into slightly more depth than several of the other Stevie Ray Vaughan retrospectives by presenting both his greatest studio hits and some of his best live work.

While 2002's Essential Stevie Ray Vaughan & Double Trouble is the place to go for the complete picture, Martin Scorsese Presents the Blues: Stevie Ray Vaughan works well as a nice single-disc introduction to the work of the influential blues guitarist. Perhaps a few more hits could have been included to make this more attractive to the curious buyer, but with a previously unreleased live version of "Mary Had a Little Lamb" and a track listing that dodges much of the 1995 Greatest Hits collection, this does offer an alternative for longtime fans.

Stevie Ray Vaughan and his band Double Trouble formed the most impressive blues act of the 1980s, which made Vaughan's death in a helicopter crash at the start of the '90s all the more tragic. He grew up in Dallas, the younger brother of Jimmie Vaughan (cofounder of the Fabulous Thunderbirds). Stevie began playing in clubs at 12, and by 17 had dropped out of high school and moved to Austin. There followed years of struggling until April 23, 1982, when Vaughan and his group, Double Trouble, played a private audition for the Rolling Stones in New York. The gig led to an invitation to appear at the Montreux Jazz Festival, at which Vaughan was seen by David Bowie, who hired him to play guitar on his Let's Dance album, and Jackson Browne, who offered the free use of his recording studio. Vaughan took up that offer after being signed by legendary talent scout John Hammond to Epic, recording his debut album, Texas Flood, in the fall of 1982…

Stevie Ray Vaughan's second album, Couldn't Stand the Weather, pretty much did everything a second album should do: it confirmed that the acclaimed debut was no fluke, while matching, if not bettering, the sales of its predecessor, thereby cementing Vaughan's status as a giant of modern blues. So why does it feel like a letdown? Perhaps because it simply offers more of the same, all the while relying heavily on covers. Of the eight songs, half are covers, while two of his four originals are instrumentals – not necessarily a bad thing, but it gives the impression that Vaughan threw the album together in a rush, even if he didn't. Nevertheless, Couldn't Stand the Weather feels a bit like a holding pattern, since there's no elaboration on Double Trouble's core sound and no great strides forward, whether it's in Vaughan's songwriting or musicianship.

The 2013 mini-box Original Album Classics rounds up the early-2000s expansions of Texas Flood, Couldn't Stand the Weather, and Soul to Soul at an affordable price point. It's arguable that SRV's best work came a bit later (In Step often seems like his best), but all three of these showcase the guitarist at his best and this package is a good bargain.

Epic/Legacy expanded Stevie Ray Vaughan’s second album Couldn’t Stand the Weather in 1999, adding four outtakes and an interview excerpt to the eight-track original, but the 2010 Legacy Edition expands it further still, retaining those four cuts, adding four songs from the posthumous compilation The Sky Is Crying (“Empty Arms,” “Wham!,” “Close to You,” “Little Wing”) along with three previously unreleased alternate takes (“The Sky Is Crying,” “Stang’s Swang,” “Boot Hill”), and a full, unreleased concert SRV & Double Trouble gave at the Spectrum in Montreal on August 17, 1984. Apart from “Empty Arms” and “Stang’s Swang,” every studio outtake is a cover, underscoring how Vaughan spent much of Couldn’t Stand the Weather drawing from his influences and synthesizing them into his own voice, and their addition actually strengthens the album considerably. With that in mind, the lively concert on the second disc is a bonus treat, evidence that SRV & Double Trouble were flying very high during 1984 and one of the better complete live sets in Vaughan’s discography.

Stevie Ray Vaughan became the biggest new star in the blues and an overnight guitar hero after the release of his 1983 debut album Texas Flood. But Vaughan played on an even bigger hit album that same year; he was the lead guitarist on the sessions for David Bowie's commercial comeback Let's Dance, and was originally slated to tour as part of Bowie's backing band. Last minute disputes led to Vaughan dropping out of Bowie's group, with Earl Slick taking his place for the Serious Moonlight Tour, which became one of the year's biggest concert draws. Space Oddity was recorded during rehearsals for the tour, shortly before Vaughan dropped out, and gives fans an opportunity to hear how these tunes from Bowie's catalog would have sounded on-stage with Vaughan lending his skills to the performances. In addition to Let's Dance selections such as "China People," "Cat People," and the title track, the set list includes a number of Bowie classics, including "Heroes," "Golden Years," "Life on Mars," "Scary Monsters," "Look Back in Anger," and many more.