Martha Argerich’s Ravel G major was for so long a reference recording that it’s easy to forget how idiosyncratic it actually is. I wouldn’t actually blame anyone who found it too garish in its colouring, with its volatility giving diminishing returns and its rubato too predictably appassionato for a sensibility as dapper as Ravel’s. Such a person might well find exactly what they want in Steven Osborne’s account, which is masterful in its own way but essentially self-effacing.
In January of 2006, the remains of Joyce Carol Vincent, aged 38, were discovered in her London flat. She died in her apartment in late 2003, surrounded by undelivered Christmas presents. She was described as outgoing, attractive, and ambitious by neighbors, friends, and family, but somehow wasn't missed. This chilling story made headlines in Great Britain, and the mysterious person behind it moved Steven Wilson to create this fictional concept album (small "c"). He doesn't adhere to story's grim details. Instead he writes from the perspective of a living woman who is, due to choice, circumstance, or both, alone and ultimately unknowable. Engineered by Steve Orchard, and produced and mixed by Wilson, the album is sonically rich and detailed. It's an immense, imaginative landscape that melds classic album rock, sophisticated '80s pop, metal, prog, and electronica in expertly crafted songs…
Between 2003 and 2010, Steven Wilson (Porcupine Tree) released six CD singles, each featuring a cover version backed with a new original song. Titled, appropriately enough, Cover I through Cover VI, the first of these singles was significant because it was the first release issued under his own name. All of these were almost ridiculously limited. The titles were all compiled before - when Cover VI was released, the other singles were included in a lavishly designed box - but this marks the first time all 12 tracks have been widely available. The music presented here is performed completely solo save for chamber and orchestral elements on some tracks that were added on later, and showcases a different, more intimate side of Wilson…
Between 2003 and 2010, Steven Wilson (Porcupine Tree) released six CD singles, each featuring a cover version backed with a new original song. Titled, appropriately enough, Cover I through Cover VI, the first of these singles was significant because it was the first release issued under his own name. All of these were almost ridiculously limited. The titles were all compiled before - when Cover VI was released, the other singles were included in a lavishly designed box - but this marks the first time all 12 tracks have been widely available. The music presented here is performed completely solo save for chamber and orchestral elements on some tracks that were added on later, and showcases a different, more intimate side of Wilson…
In January of 2006, the remains of Joyce Carol Vincent, aged 38, were discovered in her London flat. She died in her apartment in late 2003, surrounded by undelivered Christmas presents. She was described as outgoing, attractive, and ambitious by neighbors, friends, and family, but somehow wasn't missed. This chilling story made headlines in Great Britain, and the mysterious person behind it moved Steven Wilson to create this fictional concept album (small "c"). He doesn't adhere to story's grim details. Instead he writes from the perspective of a living woman who is, due to choice, circumstance, or both, alone and ultimately unknowable. Engineered by Steve Orchard, and produced and mixed by Wilson, the album is sonically rich and detailed. It's an immense, imaginative landscape that melds classic album rock, sophisticated '80s pop, metal, prog, and electronica in expertly crafted songs…
Who better to initiate the rebirth of Impulse! Records than Henry Butler? After all, the first time the label was given a new life in 1986, their first recording was Flyin' Around, his debut album as a leader. Viper's Drag is a collaboration between the pianist/composer with in-demand trumpeter and arranger Steven Bernstein (Sexmob, MTO Orchestra), surrounded by an all-star cast including drummer Herlin Riley, bassist Reggie Veal, saxophonists Michael Blake, Peter Apfelbaum, and Erik Lawrence, violinist Charlie Burnham, clarinetist Doug Wieselman, trombonist Curtis Fowlkes, and guitarist Matthew Munisteri. The set features readings of Fats Waller and Jelly Roll Morton tunes, three Butler originals, and two other classic pre-War numbers…