Stevie Wonder Song Review

Aside from his tremendous powers of performance, Stevie Wonder stands as one of the greatest songwriters of the late 20th century, probing the joyous peaks and depressing valleys of love and relationships. The Motown tribute album Conception: An Interpretation of Stevie Wonder's Songs has its highs and lows as well; with Stevie himself in the producer's chair (along with new-era Motown exec Kedar Massenburg), the album certainly has a lot of promise. It boasts plenty of neo-soul balladeers – India.Arie, Mary J. Blige, Brian McKnight, Joe, Musiq – as well as mainstream stars like Eric Clapton and John Mellencamp, who took musical cues from classic Stevie Wonder LPs like Talking Book or Songs in the Key of Life.

A fabulous assortment of artists from different areas of the rock genre give a glorifying tribute to Curtis Mayfield in a sparkling 17-song package. Gladys Knight, Stevie Winwood, Lenny Kravitz, Whitney Houston, Bruce Springsteen, Eric Clapton, The Isley Brothers, Aretha Franklin, B.B. King, Phil Collins, Stevie Wonder, Rod Stewart, Elton John, Tevin Campbell, Narada Michael Walden, Repercussions, Branford Marsalis.

This album was released in 1973 following the amazingly original albums 'Back To Front' and 'Himself' released in 1972 and 1971. It seems the 70s are O'Sullivan's vintage era and it is astonishing he could keep writing so many songs of highest quality and originality. Like the previous album, this one includes, not only hit songs like 'Get Down' and 'Ooh Baby', but also heart-warming and memorable songs like 'Where peaceful waters fllow', 'Afriend of mine' and 'They've only themselves to blame'. One of the characteristics of this album is the unabashed sense of humour and striking melodies which go very well with the witty lyrics in the songs like 'I'm a writer not a fighter', 'Who knows perhaps maybe' and 'If you love me like you love me'. This is certainly one of the best albums by O'Sullivan.