Created by soprano Lisa Delan and composer Luna Pearl Woolf, the recording of Angel Heart is a music storybook narrated by Jeremy Irons with an original story by Cornelia Funke and music by Luna Pearl Woolf, and performed by Matt Haimovitz & Uccello with world-class artists Frederica von Stade, Daniel Taylor, Delan and more. Woolf’s original score is interwoven with familiar songs and lullabies by Gordon Getty, Jake Heggie, Engelbert Humperdinck, Irving Berlin, Lennon-McCartney, David Sanford, Lewis Spratlan and Luna Pearl Woolf. The exquisite images that also tell the story are by Mirada, the Los Angeles-based creative studio and “purveyors of handmade storytelling.”
Comprehensive hits & rarer cuts comp his early years incl. Maggie May, You Wear It Well, Gasoline Alley & more. 46 tracks. Stewart is one of the best-selling music artists of all time, having sold over 100 million records worldwide. He has had six consecutive number one albums in the UK and his tally of 62 UK hit singles includes 31 that reached the top ten, six of which gained the #1 position. Stewart has had 16 top ten singles in the US, with four reaching #1 on the Billboard Hot 100. He was knighted in the 2016 Birthday Honours for services to music and charity. With his distinctive raspy singing voice, Stewart came to prominence in the late 1960s and the early 1970s with The Jeff Beck Group, and then with Faces, though his music career had begun in 1962 when he took up busking with a harmonica. In October 1963, he joined the Dimensions as a harmonica player and part-time vocalist.
First the good news, which is really good: the sound on this 340-song set is about as good as one ever fantasized it could be, and that means it runs circles around any prior reissues; from the earliest Aristocrat sides by the Five Blazers and Jump Jackson & His Orchestra right up through Muddy Waters' "Going Down to Main Street," it doesn't get any better than this set. The clarity pays a lot of bonuses, beginning with the impression that it gives of various artists' instrumental prowess. In sharp contrast to the past efforts in this direction by MCA, however, the producers of this set have not emasculated the sound in the course of cleaning it up, as was the case with the Chuck Berry box, in particular.
Richter brings a solid, disciplined richness to Handel. The big choruses are supported by the organ, and the harpsichord is exuberantly present just about everywhere. The Munich Bach Choir sometimes sings with a German accent but doesn't muff an eighth note. The soloists are all native English speakers, and paramount among them is Alexander Young, the best Handel tenor of his time. He combines agility with persuasive heroic strength, and he is a superb actor. His unparalleled flamboyance of declamation brings every word to life (listen to the confrontation with Dalila); you remember both the character and the music. Arroyo sounds both voluptuous and repentant as Dalila, Procter is a composed, stately Micah with an absolutely steady contralto, and Flagello thunders imposingly as Harapha. Stewart's handsome baritone limns a suave, solicitous Manoa.