Sting Gil Evans Last Session

For fans of Gil Evans, Miles Davis & Jazz! Monday Nights is not only the first studio recording of the Gil Evans Orchestra in over forty years, it also offers some of the most audacious and electrifying music of the new millennium. The late Gil Evans was one of the most respected orchestrators in jazz history and his fabled collaborations with Miles Davis, including Birth of the Cool, Sketches of Spain and Porgy and Bess, set the gold standard for modern jazz arranging. Accordingly, Evans played a key role in the development of cool jazz, modal jazz, free jazz and jazz fusion.

Jimi Hendrix was scheduled to record with Gil Evans' Orchestra but died before the session could take place. A few years later, Evans explored ten of Hendrix's compositions with his unique 19-piece unit, an orchestra that included two French horns, the tuba of Howard Johnson, three guitars, two basses, two percussionists and such soloists as altoist David Sanborn, trumpeter Marvin "Hannibal" Peterson, Billy Harper on tenor, and guitarists Ryo Kawasaki and John Abercrombie. Evans' arrangements uplift many of Hendrix's more blues-oriented compositions and create a memorable set that is rock-oriented but retains the improvisation and personality of jazz.

In 1956, a year before Miles Ahead, singer Helen Merrill hired the nearly forgotten arranger Gil Evans to write charts for a dozen songs on one of her record dates. In 1987, they had a reunion, and 11 of the 12 numbers (with "Summertime" taking the place of "You're Lucky to Me") were recorded again. Rather than just a re-creation album, this project found Evans writing fresh arrangements, utilizing three very different ten-pieces: one with a woodwind quintet, another with six horns, and a third that included five strings. This inspired outing, one of the most rewarding sets of Helen Merrill's later years, was also one of Evans' last great dates and one of his few post-1972 classics. 57 at the time, Merrill is in superb form on such numbers as "Where Flamingos Fly," "A New Town Is a Blue Town," "By Myself" and "Anyplace I Hang My Hat Is Home."

Recorded just three months before arranger/pianist Gil Evans's death, this duet album teams Evans with the great soprano saxophonist Steve Lacy. In truth, Evans's playing here is generally little more than melody statements and comping behind Lacy. The duo performs lengthy versions of three Charles Mingus tunes, Duke Ellington's "Paris Blues" and Lacy's "Esteem."

Although Gil Evans had gained a lot of acclaim for his three collaborations with Miles Davis in the 1950s and his own albums, this CD contains (with the exception of two tracks purposely left off), Evans's only dates as a leader during 1961-68. The personnel varies on the six sessions that comprise the CD (which adds five numbers including two previously unreleased to the original Lp) with such major soloists featured as tenorman Wayne Shorter, trombonist Jimmy Cleveland, trumpeter Johnny Coles and guitarist Kenny Burrell. Highlights include "Time of the Barracudas," "The Barbara Song," "Las Vegas Tango" and "Spoonful." Highly recommended to Gil Evans fans; it is a pity he did not record more during this era.

By the 1980's, Gil Evans orchestra's repertoire was a distinctive blend of Hendrix tunes, original pieces from band members and the occasional nod to Gil's earlier recordings. The set at Hamburg includes four songs from the Hendrix book, although just one of these ("Up From The Skies") was part of the original studio album. Regular appearances in Europe meant that the band had now acquired a younger following, such as many in the audience at Fabrik, one well accustomed to its rock-referent concerts. A year and a half after the concert at Fabrik, Gil Evans passed away in Cuernavaca, Mexico. Quite rightly he'll always be remembered for recording those brilliant, luminous albums with Miles Davis and under his own name, but he had, in fact, led at least three contrasting musical lives. His final years saw him directing his band at a regular Monday night gig at Sweet Basil, New York, so it's fitting that we now have this recording from Hamburg, one that serves as a memorial to his free-spirited later days. With an All Star Musicians Cast.