Stockhausen 25

Karlheinz Stockhausen - Harlekin & Der kleine Harlekin (1992) {Stockhausen-Verlag No. 25}
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© 1975, 1992 Stockhausen-Verlag | Stockhausen 25
Classical / Avant-Garde / Experimental / 20th Century

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.

This end-of-the-millennium quartet session probably best defines all the inherent contradictions in who ECM attracts to the label – what kind of musician records for them – and what concerns these artists and ECM's chief producer (and creator) Manfred Eicher hold in common. This set, although clearly fronted by Markus Stockhausen and Arild Andersen on brass and bass, respectively, allows space for the entire quartet to inform its direction. Héral and Rypdal are not musicians who can play with just anybody; their distinctive styles and strengths often go against the grain of contemporary European jazz and improvised music. Of the 11 compositions here, four are collectively written, with two each by Andersen and Stockhausen.

Markus Stockhausen, Vangelis Katsoulis and Arild Andersen will release their new album ACROSS MOUNTAINS on February 4th, 2022 at o-tone music/Edel Kultur. German trumpeter Markus Stockhausen, Greek pianist Vangelis Katsoulis and Norwegian bassist Arild Andersen have known each other since 1996 when they met at a concert in Athens. ACROSS MOUNTAINS was founded in a time when traveling and concerts were impossible.

Karlheinz Stockhausen - Europa-Gruss & Other Works (2002){Stockhausen-Verlag No. 64}
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© 2002 Stockhausen-Verlag | Stockhausen 64
Classical / Avant-Garde / Experimental / 20th Century

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.

Karlheinz Stockhausen - Luzifers Zorn, Die 7 Lieder der Tage & Der Kinderfänger (2001) {Stockhausen-Verlag No. 63}
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© 2001 Stockhausen-Verlag | Stockhausen 63
Classical / Avant-Garde / Experimental / 20th Century

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.

Karlheinz Stockhausen - Engel-Prozessionen (2004) {2CD Set Stockhausen-Verlag No. 67}
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© 2004 Stockhausen-Verlag | Stockhausen 67
Classical / Avant-Garde / Experimental / 20th Century

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.

Karlheinz Stockhausen - Helikopter-Streichquartett (1999) {Stockhausen-Verlag No. 53}
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© 1999 Stockhausen-Verlag | Stockhausen 53
Classical / Avant-Garde / Experimental / 20th Century

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.

Karlheinz Stockhausen - Spiral I & II, Pole, Wach, Japan, Zykus, Tierkreis, In Freundschaft (2009) {2CD Set EMI Classics}
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© 2009 EMI Classics | 50999 6 95598 2 2
Classical / Avant-Garde / Experimental / 20th Century

Performances from 1971 to 1997, featuring Tristan Fry in Zyklus, Harald Bojé and others in pieces for short-wave radios and electric instruments, and the composer's son Markus in the trumpet cycles In Freundschaft.

Though Karlheinz Stockhausen's Stimmung (Tuning) for six solo voices may be one of his most accessible pieces, relatively few commercial recordings of the hour-long "meditation on a chord" exist. Collegium Vocale premiered the work in 1968, and subsequently took their interpretation known now as the "Paris version" on the road and into the studio. Singcircle presented a slightly different sonic reading in the mid-'70s; Paul Hillier himself was a part of that recording.

Though Karlheinz Stockhausen's Stimmung (Tuning) for six solo voices may be one of his most accessible pieces, relatively few commercial recordings of the hour-long "meditation on a chord" exist. Collegium Vocale premiered the work in 1968, and subsequently took their interpretation known now as the "Paris version" on the road and into the studio. Singcircle presented a slightly different sonic reading in the mid-'70s; Paul Hillier himself was a part of that recording.