Dutch musicians are different. They are absolutely objective, but deeply passionate; completely faithful to the letter of the score, but totally in touch with the spirit behind the score; wholly dedicated to their ensemble, but profoundly individualistic in their expression. In these ways, the Storioni Trio is the epitome of Dutch music-making. On this disc, the Storioni Trio fully inhabits not only the late eighteenth century world of Beethoven's early E flat major Trio Op. 1/2, but also the early nineteenth century world of Beethoven's later D major Trio, Op. 70/1, nicknamed the "Ghost."
In recent years the Storioni Trio has established itself as the leading Dutch piano trio. On this disc they perform two of Beethoven’s major works, the Triple Concerto opus 56, and the “Archduke” Trio opus 97. They are joined in the concerto by the Netherlands Symphony Orchestra and conductor Jan Willem de Vriend.
In recent years the Storioni Trio has established itself as the leading Dutch piano trio. On this disc they perform two of Beethoven’s major works, the Triple Concerto opus 56, and the “Archduke” Trio opus 97. They are joined in the concerto by the Netherlands Symphony Orchestra and conductor Jan Willem de Vriend.
In recent years the Storioni Trio has established itself as the leading Dutch piano trio. On this disc they perform two of Beethoven’s major works, the Triple Concerto opus 56, and the “Archduke” Trio opus 97. They are joined in the concerto by the Netherlands Symphony Orchestra and conductor Jan Willem de Vriend.
Concertos for cor anglais are few and far between, and harp concertos aren’t very common either. In combining the two, Kalevi Aho has come up with a true rarity – possibly the only double concerto in existence for these two instruments. Composed in 2014, the work was commissioned by the Antwerp Symphony Orchestra for two of its solo players: Anneleen Lenaerts and Dimitri Mestdag, who also perform it here. The work is characteristically eclectic, making the most of the sonic possibilities of the solo instruments, but also of the orchestral palette.
Concertos for cor anglais are few and far between, and harp concertos aren’t very common either. In combining the two, Kalevi Aho has come up with a true rarity – possibly the only double concerto in existence for these two instruments. Composed in 2014, the work was commissioned by the Antwerp Symphony Orchestra for two of its solo players: Anneleen Lenaerts and Dimitri Mestdag, who also perform it here. The work is characteristically eclectic, making the most of the sonic possibilities of the solo instruments, but also of the orchestral palette. The Antwerp Symphony Orchestra is no newcomer to Aho’s music, having previously recorded his concertos for trombone and trumpet.