Strut Peru

Various Artists - Strut My Stuff: Obscure Country & Hillbilly Boppers (2019) {Modern Harmonic MHCD-051}
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© 1950's, 2019 Modern Harmonic | MHCD-051
Country / Honky Tonk / Hillbilly / Country Boogie

For every successful hit act that cracked the charts in the early 50s to mid 60s, there were thousands of obscure artists exhibiting genuine country numbers free from mainstream oversight. Strut My Stuff rounds up such enigmas as the hectic hillbilly bopper “You’ve Been Honky Tonkin’,” the shotgun-wedding scenario of “My Inlaws Made An Outlaw Out Of Me,” and many more farm-raised rarities!

Sun Ra and His Arkestra - In the Orbit of Ra (2014) {2CD Set Strut STRUT109CD}
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© 2014 Strut | STRUT109CD
Jazz / Avant-Garde Jazz / Experimental Big Band / Progressive Jazz

Arkestra bandleader Marshall Allen presents Sun Ra classics and rarities. Includes previously unreleased track 'Trying To Put The Blame On Me' + previously unissued versions of 'Reflects Motion' and 'Island In The Sun'. As the longest-tenured member of the Arkestra (55-plus years and counting as of 2014), there is no one with a deeper understanding of the music of Sun Ra than Marshall Allen, and that's part of what makes In the Orbit of Ra such a special collection. The Arkestra's long history is often divided into musical/geographic periods or spoken of as a progression from inside to outside playing. This set spans from the late '50s to the late '70s but the non-chronological sequencing shows how artificial those stylistic boundaries are.

The Manhattan Jazz Quintet is a jazz ensemble consisting of David Matthews on piano, Lew Soloff on trumpet, Victor Lewis on drums, Andy Snitzer on saxophone, and Charnett Moffett on bass. Previously, the band featured George Young on tenor sax, Eddie Gomez on bass, and Steve Gadd on drums. The group was formed in 1983 at the suggestion of Japanese jazz magazine Swing Journal and the King record label and won the Gold Disk Award of Swing in 1984.

The Chief Eddy Clearwater's West Side Strut is his first release for the Alligator label, and while nothing here is a surprise, Clearwater's Chicago blues/Chuck Berry hybrid remains evident as he works his way through a mix of rock & roll, country, soul, and gospel. Along with Clearwater is a stellar group of fellow Windy City musicians led by second guitarist (and producer) Ronnie Baker Brooks and his band, a horn section, and appearances by Billy Branch on harp, guitarist Lonnie Brooks, and backup vocals by Otis Clay and Jimmy Johnson. Spirited cover versions of Muddy Waters' "Walking Through the Park" and Lowell Fulson's "Trouble, Trouble" are highlights, as are the gutbucket blues "A Good Leavin' Alone," "Blue Over You," and the autobiographical "They Call Me the Chief." West Side Strut is another solid effort for the Chief and Alligator, as well.

Ebo Taylor - Love And Death (2010) {Strut STRUT073CD}
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© 2010 Strut | STRUT073CD
Afro-beat / Afro-Pop / African Traditions / Highlife / West African

While Ebo Taylor's name is not familiar to most as one of the pioneers of Afro-beat, it should be. Taylor, the Ghanian composer, arranger, guitarist, and vocalist has been making music since the 1950s, and studied with Fela Kuti at the Eric Guilder School of Music in London from 1962 until 1965. Rather than go the solo path, he opted instead for Accra's studio scene, where he appeared on dozens of singles and albums . He cut a self-titled solo album in 1977 on the local label Essiebons. Tracks from it, another album entitled Conflict, and various singles have appeared in recent years on various European compilations. The Strut imprint, not content to let Taylor's name languish in obscurity, put its money where its mouth was, and paired him with the Afrobeat Academy of Berlin, which includes guitarist J. Whitefield of the Whitefield Brothers and various guests from Europe and Africa.

Tanganyika Strut is the last of the three 1958 Savoy recordings made by jazz musicians John Coltrane and Wilbur Harden. The album would be Harden's last as a leader. The sessions also produced a couple of alternate takes which can be found on some compilations, most notably the ones featuring the complete Savoy recordings made by Harden and Coltrane together, The Complete Mainstream 1958 Sessions (2009) and The Complete Savoy Sessions (1999).

Orchestre Poly-Rythmo - Cotonou Club (2011) {Strut STRUT077 CD}
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© 2011 Strut | STRUT077 CD
Afro Beat / Funk / African Music / World Music

After a delay of more than 20 years, there's a new album from one of West Africa's great dance bands. Formerly known as TP Orchestre Poly-Rythmo de Cotonou – TP standing for "tout puissant" or "all powerful", and Cotonou being the largest city in Benin – they started in the late 60s, recorded dozens of albums, but took decades to achieve international recognition. A series of compilation albums led to their eventual discovery by Western audiences, and the reformed band gave their first UK concert in 2009. This new album features several of those who played with Poly-Rhythmo in the 60s and 70s, and it's a rousing, varied affair.

The very title of Strut makes Lenny Kravitz's intentions for his tenth album plain: he wants to swagger, he wants to get off on his moves. To underscore the whole carnality of it, Kravitz calls the album's opening track "Sex," just the first song in a parade of pleasure, pain, and dirty white boots. Any of the attempted sociopolitical overtures of 2011's Black and White America have been abandoned, jettisoned along with the stylistic excesses that pumped that album to double-LP length. Strut doesn't bother with any of that nonsense. Like so many records from the golden age of the LP, it's just 12 songs and if it weighs in at a slightly hefty 53 minutes, it's because Lenny has a hard time stopping a good groove and Strut consists almost entirely of grooves.

Mulatu Astatke & The Heliocentrics - Inspiration Information (2009) {Strut STRUT040CD}
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© 2009 Strut | STRUT040CD
Jazz / Ethio Jazz / Post Bop / World Fusion / Afro Beat / Afro-Cuban Jazz / Vibes / Piano

The third in Strut’s Inspiration Information studio collaboration series brings together an intriguing pairing between one of Africa’s great bandleaders, Mulatu Astatke, with the next level musicianship of The Heliocentrics collective from the mighty roster of Stones Throw / Now Again. Known primarily through the successful ‘Ethiopiques’ album series and the film soundtrack to Jim Jarmusch’s ‘Broken Flowers’, Mulatu Astatke is one of Ethiopia’s foremost musical ambassadors. Informed by spells living and studying in the UK and the USA, his self-styled Ethio-jazz sound flourished during the “Swinging Addis” era of the late ‘60s as he successfully fused Western jazz and funk with traditional Ethiopian folk melodies, five tone scale arrangements and elements from music of the ancient Coptic church.