Exclusive EP comes with the German magazine ROCK HARD Vol. 390 (Nov. 2019).
In November 1961, tenor sax titan Stan Getz was leading one of his best yet shortest-lived lineups, with pianist Steve Kuhn, bassist John Neves, and drummer Roy Haynes. The previously unreleased Getz at the Gate showcases this group at peak power on the bandstand. In sound quality, it far exceeds Live at Birdland 1961, which captures nearly the same band (with Jimmy Garrison on bass) on many of the same tunes, earlier in the same month.
For every successful hit act that cracked the charts in the early 50s to mid 60s, there were thousands of obscure artists exhibiting genuine country numbers free from mainstream oversight. Strut My Stuff rounds up such enigmas as the hectic hillbilly bopper “You’ve Been Honky Tonkin’,” the shotgun-wedding scenario of “My Inlaws Made An Outlaw Out Of Me,” and many more farm-raised rarities!
There’s a sense of continuity that runs through the music that San Francisco’s Scott Hansen makes as Tycho. But Weather, his follow-up to 2016’s Epoch, marks a major shift: It’s his first album to feature vocals—not just massaging them into the mix, but setting them front and centre. That’s hardly unusual for Tycho’s brand of chill, but where his peers might recruit a rotating cast of featured singers, Weather’s eight vocal tracks are all the work of just one person: Saint Sinner, a.k.a. Hannah Cottrell—a Texas singer-songwriter with very little on record until now. Hansen had wanted to work with a singer for years, but nothing had ever clicked. With Cottrell, things were different, and before long a handful of demos had turned into an entire album. "I just kind of followed her on her trip,” Hansen tells Apple Music. “I wanted this to be somebody nobody had ever heard of. I was just like, this isn't a feature, this is literally what Tycho is right now.” Through each of the album's tracks, Hansen tells us more about that transformation.
When considering the rock 'n' roll lifestyle, there are few bands that embraced it and lived it more fully than Royal Trux. The origins of the band track back to the late 1980s in Washington, D.C., where the duo of Neil Michael Hagerty and Jennifer Herrema established their musical identity and released their self-titled debut in 1988. Royal Trux was rock 'n' roll in its purest form, and it appeared to settle the vision of the duo, but soon enough Hagerty and Herrema started experimenting with additional elements. The band's double record Twin Infinities, released in 1990 saw the realization of their true vision, incorporating noise rock qualities and featuring an experimental approach that was verging on the avant-garde.