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Le magazine de référence de la photo. Dans PHOTO se côtoient les plus grands photographes internationaux : reportage, mode, pub, sport, nu, portrait… PHOTO incarne les tendances esthétiques d'aujourd'hui et vous fait découvrir les talents de demain.

AKVIS Magnifier is an efficient tool for increasing image resolution. AKVIS Magnifier allows resizing images without noticeable loss in quality. If you attempt to blow up a picture (increase its resolution) using the standard Resize command of a photo editor, you will notice that the resulting photo is blurred and pixelated. The reason is that the input photo didn't contain enough information for the new size. AKVIS Magnifier will cope with this problem and deliver good results.

WindowBlinds is a one-of-a-kind utility that allows Windows users to completely change the look and feel of the Windows interface by applying a new skin. There are thousands of different skins to choose from that are freely downloadable from the WindowBlinds website. WindowBlinds is safe and easy to use. It doesn't alter any system files and users can switch between the default Windows look and feel and a custom WindowBlinds skin with the click of a button. In addition, WindowBlinds has been tested to ensure it works with Windows Vista, so you know it is compatible, reliable, and more secure.

Genie Timeline – Time Machine for Windows - saves past versions of your documents every half hour so if you ever overwrite a document simply go back in time and retrieve any file you need just as it was before. Genie Timeline frequently keeps a collection of your files 24 hours a day, 7 days a week, 4 weeks a month, 12 months a year. If you’ve ever deleted a file by mistake, you can quickly restore it to its original location by using right-click -> restore. In addition, simply right-click a file and add to your backup plan and it's automatically scanned for any changes and included in the backup.

Playwright and novelist Yukio Mishima foreshadowed his own violent suicide with this ravishing short feature, his only foray into filmmaking, yet made with the expressiveness and confidence of a true cinema artist. All prints of Patriotism (Yûkoku), which depicts the seppuku of an army officer, were destroyed after Mishima’s death in 1970, though the negative was saved, and the film resurfaced thirty-five years later. New viewers will be stunned at the depth and clarity of Mishima’s vision, as well as his graphic depictions of sex and death.