Summit

This unassuming and delightful little album visits a time when jazz and blues were still directly entwined, drawing on the ghosts of guitarists like Charlie Christian, Eddie Durham, Bill Jennings, Tiny Grimes, Barney Kessel, and Kenny Burrell, guitarists who used the blues to enrich the jazz pieces they played on, a kind of ensemble contribution that is all too frequently missing on the contemporary blues scene. Duke Robillard, Jay Geils, and Gerry Beaudoin are all gifted guitar players, each with his own career, but as a trio working three-part harmony lines around each other, they bring a stately ensemble grace to the tracks on New Guitar Summit (the trio also appears under that name when they do live shows).

A tech-savvy, all-instrumental progressive metal group from Los Angeles. The origins of Scale the Summit date to 2004, when guitarists Chris Letchford and Travis LeVrier met as students at the Los Angeles Musicians Institute, then came into contact with fellow scholar and drummer Pat Skeffington, before completing their lineup with bassist Jordan Eberhardt several months later. Two years of rehearsal and sonic self-discovery followed until, at the end of 2006, all of the musicians relocated to Letchford's hometown of Houston, Texas and finished sculpting their exceptionally technical brand of "adventure metal," as they like to call it, for release on a self-financed debut album, immodestly named Monument. Turns out their confidence was largely justified by the impressive amalgam of progressive exploration (think Cynic, Dream Theater, Kong)…

THE SUMMIT: The Manhattan Transfer meets Take 6 is one of the most unique and thrilling musical collaborations ever assembled. With twenty Grammy Awards between them, these two musically iconic groups have joined forces to perform together…