Sustenance And The Fundamentality

In short, Pipelare’s striking personality becomes apparent through hearing and analysing his masses rather than from the meagre details of his life. It is as if he redefines polyphonic composition with each work, rather than reverting to the tried and tested as say Jakob Obrecht did. There is nothing immediately recognisable, nothing that sounds even vaguely familiar, nothing can be categorised, rather everything sounds new, fresh, lively – wilfully individual!

An amazing display of expressivity achieved through daring 'prolations' and 'colorations'! There are at least half a dozen parody masses based on the chanson Fortuna Desperata, but Obrecht's is by far the most likely to keep the most secular audiences riveted to the music.

Featuring some of the most stunning musicianship ever associated with England's Canterbury scene, Hatfield and the North's second LP features, like their eponymous debut, Dave Stewart on keyboards, Phil Miller on guitar, Richard Sinclair on bass and vocals, and Pip Pyle on drums (supplemented by a few guest instrumentalists and the ever-ethereal Northettes with their "la la" backing vocals). The participants show an admirable sense of restraint and, like their Canterbury peers, are careful to avoid the pomposity and bombast of better-known prog rockers of the era, such as Emerson, Lake & Palmer and Yes.

Considering that Southern Accents took so much time and money to complete, finally hitting the stores two and a half years after Long After Dark, it wasn't surprising that Tom Petty & the Heartbreakers decided to release a double live album, Pack Up the Plantation: Live!, a mere eight months after its release. After all, Southern Accents was criticized from many corners for being too slick, too much in Dave Stewart's corner instead of the Heartbreakers', so it made sense to quickly return the focus to the band, showcasing the group as the rockers they are. Pack Up the Plantation does do that, even if it isn't quite the barnburner it should have been.

Considering that Southern Accents took so much time and money to complete, finally hitting the stores two and a half years after Long After Dark, it wasn't surprising that Tom Petty & the Heartbreakers decided to release a double live album, Pack Up the Plantation: Live!, a mere eight months after its release. After all, Southern Accents was criticized from many corners for being too slick, too much in Dave Stewart's corner instead of the Heartbreakers', so it made sense to quickly return the focus to the band, showcasing the group as the rockers they are. Pack Up the Plantation does do that, even if it isn't quite the barnburner it should have been.

Gerry & the Pacemakers are fated to eternal comparisons to the Beatles, their onetime Merseybeat rivals who rapidly eclipsed the quartet in popularity and accomplishment, leaving them as something of a pop culture punchline. In the wake of the Beatles, it was hard to look back at Gerry Marsden and his irrepressibly cheerful music and think it was in the same league as the Fab Four, or any of the British Invasion groups that followed. That may be true, but Gerry & the Pacemakers shouldn't be judged against such R&B-schooled rockers as the Rolling Stones, the Animals, and the Kinks but rather against the stiff, starched rock & roll of pre-Beatles Britain. Compared to this prim, proper pop, the skiffle beats and bouncy melodies of Gerry & the Pacemakers seem fresh, almost serving as a bridge between formative English rock and the bright blast of the Beatles…