Swam Flute

Audio Modeling SWAM Flutes 3 v3.8.2  Software

Posted by Magictor at Nov. 25, 2024
Audio Modeling SWAM Flutes 3 v3.8.2

Audio Modeling SWAM Flutes 3 v3.8.2 | 65 Mb

The SWAM Flutes bundle includes four instruments: Flute, Alto Flute, Bass Flute, and Piccolo.

Audio Modelling SWAM Engine - SWAM Flutes v2.8.1 WiN  Software

Posted by orientazure at Aug. 9, 2018
Audio Modelling SWAM Engine - SWAM Flutes v2.8.1 WiN

Audio Modelling SWAM Engine - SWAM Flutes v2.8.1 WiN | 60 Mb

This collection is comprised of four instruments, the Flute, the Alto Flute, the Bass Flute and the Piccolo. Tired of Giga-sized pre-recorded libraries of flutes and of the objective limitations of traditional samplers? SWAM Flutes is the solution.

Audio Modeling SWAM Flutes 3 v3.8.2  Software

Posted by Magictor at Nov. 25, 2024
Audio Modeling SWAM Flutes 3 v3.8.2

Audio Modeling SWAM Flutes 3 v3.8.2 | 65 Mb

The SWAM Flutes bundle includes four instruments: Flute, Alto Flute, Bass Flute, and Piccolo.

Lotte Schöne - The Complete Lotte Schöne (2020)  Music

Posted by Rtax at July 15, 2024
Lotte Schöne - The Complete Lotte Schöne (2020)

Lotte Schöne - The Complete Lotte Schöne (2020)
EAC Rip | FLAC (tracks, cue, log, full scans) - 1.06 GB
5:48:52 | Classical, Opera | Label: Marston

Lotte Schöne is one of those singers whose personality shines through the shellac: joyful, expressive, and bubbly. She was loved by audiences in Vienna, Salzburg, Berlin, Paris, and London. Being Jewish, she left Berlin in 1933, but continued to sing in Vienna and Paris until 1938. At the outbreak of World War II, Schöne took refuge in a small village in the French Alps, where she stayed in hiding until 1945. After the war she gave occasional concerts and sang one performance in 1948 at the Berlin State Opera. She spent the remainder of her life living outside of Paris with her son and grandchildren. Lotte Schöne’s records are highly prized, especially her acoustic discs. This set contains all of her known recordings for Vox, Odeon, and the Gramophone Company, including six unpublished Odeon sides made just before the company’s conversion from the acoustic to the electric recording process, and four unpublished Gramophone Company sides of Hugo Wolf songs recorded in 1934. The set concludes with a delightful group of non-commercial discs made for her family, and a substantial offering of German and French songs recorded late in her career for French and German Radio in 1948 and 1950. This is the first time that Lotte Schöne’s complete extant recordings can be heard in one compilation. The booklet includes rare photos, an evaluation of Schöne’s recordings by Michael Aspinall, and a personal essay by the noted French author, André Tubeuf, written in English especially for this Marston Records release.