Sylvia Koscina

‘Canto interno’, or ‘inner voice’, is the nesting place of the elements necessary for the expressive, melodic, and timbral elaboration of one’s musical construction where, before the sound becomes real or audible, it is developed consciously in the innermost depths of our being. It is the space where we can hear and feel music in its purest state.

Sylvia St. James began at Elektra on her debut album Magic with two further giants of jazz fusion, both also with affiliated with groups, Lenny White (Twennynine) and Larry Dunn (Earth Wind & Fire). Also contributing is a long term affiliate of Lenny White, and legend in his own right Don Blackman. Sylvia had previously worked with Lenny White on Twennynine s 1980 album Twennynine featuring Lenny White , but for her second album Echoes & Images Andre Fisher was brought in as producer who had previously produced Brenda Russell and worked with Sylvia St. James between projects for Betty Wright and Sheree Brown utilising top Los Angeles players.

Violinist Sylvia Huang, a prizewinner at the Queen Elisabeth Competition in 2019, and Éliane Reyes, the renowned virtuoso pianist, present a new disc bubbling with elegance and femininity. Linked by a keen musical rapport and an irrepressible friendship, they declare their love for Belgian Romantic music, embodied by two emblematic composers: Eugène Ysaÿe, a natural musical companion whom every violinist has encountered or dreamt about, and Guillaume Lekeu, a dazzling musical genius taken from us all too soon. This recording reveals some skilfully chosen gems by Ysaÿe, including two unpublished early pieces, the Mazurka de concert and the Grande Valse de concert (the latter a world premiere). Lekeu is represented by the sublime Sonata for piano and violin, dedicated to Eugène Ysaÿe; the musicians had the opportunity to consult, with an almost fervent enthusiasm, the original manuscript in Verviers, the birthplace of both the composer and Éliane Reyes. A radiant disc, overwhelming in its sincerity.

This is a quite exceptional record and contains some of the best singing I have heard in years. The matching trills between Sylvia McNair and the orchestra towards the end of the Alleluia from Handel’s Silete venti have to be heard to be believed. As usual, Gardiner conducts the music with stylistic authority, vigour and finesse. It is an excellent combination. The recording was made in All Hallows, Gospel Oak, in London and is in an acoustically broad space, but has all the details of choir and soloist in place.

Previn's Four Songs, using poems by Toni Morrison, continues the US song tradition established by Copland. They may not be strikingly original in style (they owe a debt to 12 Poems of Emily Dickinson), but they are very attractive, idiomatically American and movingly evocative of their texts. The set was written for Sylvia McNair, with a plangent cello obbligato for Yo-Yo Ma. McNair is outstanding here, her voice radiant but warm, soaring but secure.

Reissue in the Brilliant Classics Opera Collection of this excellent “HIP” performance of Monteverdi’s ever popular L’Orfeo, history’s first real opera. Soloists include the crème of Baroque Voices: the great Sara Mingardo, Sylvia Pozzer, Gabriella Martellacci, Gianpaolo Fagotto and the inspiring and historically based direction of Sergio Vartolo. Narrating the famous tale of the Thracian singer Orpheus and his quest to the underworld to bring his wife, Euridice, back to the land of the living, Monteverdi’s L’Orfeo is one of the most enduringly popular of all operatic works.