Marc Bolan died in September 1977, exactly two weeks before his thirtieth birthday. His achievements in the last seven years of his life included over 20 UK hit singles, 11 of which made the top 10 in less than three years. This compilation features 14 of those singles, along with some celebrated b-sides and album tracks.
For All The Cats - The Best of Marc Bolan & T. Rex is the definitive 2CD / 49 tracks Marc Bolan collection featuring 20 Top 50 Hits including 4 Number 1 singles plus a generous helping of B-sides, key album tracks and rarities plus a new essay by Alexis Petridis, 20 page booklet featuring label photos and liner notes.
Twenty-five tracks round up an extremely haphazard but nevertheless intriguing "best of" Marc Bolan's last five years, drawing equally from the regular albums and familiar boogies, and the wealth of archival material excavated by the Unchained and Alternate series. Certainly not compiled with the hit hunter in mind (only "The Groover" and "Dreamy Lady" truly fall into that category), Very Best of, Vol. 2 is instead devoted to illustrating as many facets of Bolan's career as it could, from the pensive introspection of "Spaceball Ricochet," to the grinding self-aggrandizement of "The Groover," and onto the sharp autobiography of "Over the Flats" and "Funky London Childhood." As such, and especially when viewed in tandem with Very Best of, Vol. 1, it serves up a delightful portrait of Bolan's '70s, at a price that is difficult to squabble with.
This Rhino U.K. 2012 box set rounds up the prime of Booker T. & the MG's, the five albums they released between 1962 and 1968: Green Onions, Soul Dressing, And Now!, Hip Hug-Her, and Doin' Our Thing. Often, Booker T. & the MG's are seen as nothing more than a singles act but these records illustrate just how deeply their gifts ran, as they are all deeply funky, gritty, soulful records that are easy to enjoy. And when they're collected in this convenient little box, they're even easier – and cheaper – to appreciate.
German compilation features all the T. Rex A-sides released between 1972 & 1978 on disc one & 28 B-sides on disc two, 16 page colour booklet. First, full disclosure is necessary as to what's missing. Ready? On this glorious double-CD collection, there isn't one track from T. Rex's Electric Warrior. That's right, "Bang a Gong," "Mambo Sun," and "Jeepster" are all absent. Why? Simple: it appears Warner is recalcitrant to license that wondrous album to anyone in any form. It turns out that this is simply a small complaint because none of the tracks from Electric Warrior should be separated from its full corpus anyway – it is an album in the purest and more literal sense of the world. Getting to what is here, listeners do get tracks from that beautiful slab The Slider as well as Tanx, Light of Love , Bolan's Zip Gun, Dandy in the Underworld, Futuristic Dragon, and a slew of 45s never issued on LP.
With apologies to groups like The Meters, Bar-Kays, and Average White Band, when it comes to all-time great instrumental R&B bands, for most folks Booker T. & the MG's represent the gold standard. And with good reason'or, actually reasons! First of all, as the house band of the hallowed Stax label, The MG's pretty much invented the sound of Southern soul, playing on records by everybody from Otis Redding to Wilson Pickett to Carla Thomas. Second, on their own as Booker T & the MG's, they came up with some of the most indelible instrumental jams of all time, including'but by no means limited to!''Green Onions.' And, third, each member of the band was an absolute monster on their instrument, to this day revered and copied by untold numbers of musicians. Indeed, by the time the mid '60s rolled around, bands on both sides of the Atlantic wanted to sound like Booker T. Jones, Steve Cropper, Al Jackson, Jr, and Lewie Steinberg (replaced about halfway through this collection by the great Donald 'Duck' Dunn).
Recorded in Paris during November 1968, Good Feelin' was the album that rekindled public interest in the life and music of Aaron "T-Bone" Walker throughout Europe and even in some portions of the United States of America. The album begins and closes with informal narration spoken by Walker while accompanying himself on the piano. The band behind him on the other ten tracks includes guitarist Slim Pezin, pianist Michel Sardaby and Cameroonian saxophonist Manu Dibango blowing tenor alongside Pierre Holassian on alto, Francis Cournet on baritone, and a trumpeter whose identity remains a mystery. With T-Bone's electric guitar sizzling in its own juice and the horns signifying together over soulful organ grooves and freshly ground basslines, all of this music is rich and powerful. Each track is delicious; a funky instrumental strut entitled "Poontang" is the tastiest of all.