Tachles 6 März 2020

"Let's Dance" ist endlich wieder zurück und verbreitet in ganz Deutschland Tanzfieber! Auch dieses Jahr können Sie sich die Tanzbeats aus den Shows nach Hause holen: Ab dem 6. März 2020 gibt es das Let's Dance - Das Tanzalbum (Best Of)!

Gregg Wallace visits the biggest cider factory in the world, which produces more than 350 million litres each year. The scale of production blows his mind as at each turn he’s confronted with huge machinery and incredible processes. He visits Birchley Farm in Herefordshire, at the heart of cider country, before heading to the mill at Ledbury to help sort the apples. At the factory itself, he learns about the fermentation process and the critical role of yeast, before being shown the vast scale of the bottling process, which sees 833 bottles cleaned and filled every minute.

The "Esterhazy Music Collection" is a series dedicated to presenting musical treasures largely forgotten over the centuries. It pays tribute to one of the most important Hungarian noble families, the imperial princes of Esterhazy. From the 17th to the 19th century, the Princes of Esterhazy were as generous patrons of the arts as the most influential rulers of France, England and Austria. Although the titles 'Le Matin', 'Le Midi' and 'Le Soir' have favoured the popularity of the three works in our time, they served Haydn merely as an inspiring impulse to compose.

Hardly any biographical information about the composer Martin Christian Schultze has been handed down to us. On the cover of the Trattamento dellharmonia, which was engraved and published in Paris in 1773, we find his name with the initials 'M.C.' and 'D.B.' ('M.C. Schultze D.B.'), which according to the RISM signifies 'Martin Christian Schultze from Berlin.' The six symphonies contained in this collection may be understood as harmonic treatises. They have been written very much in the Italian style, and in them we find very many polyrhythmic elements running through all the movements for example, frequent triplets against sixteenths. In addition, at the time Schultze must have had an outstanding gambist by his side who was able to render this extremely demanding gamba part. The violin part with many double stops and virtuosic passages likewise presupposes some talent. By contrast, the flute part more probably would have been written for an amateur. Here these pieces are interpreted by the Klingekunst Ensemble, whose members base their work on well-founded occupation with historical performance practice but also always assign foremost importance to vibrant musical communication.