Taga Jones le Poignard

Featuring 18 songs, including "The Impossible Dream", "Call Me Irresponsible", and "Lollipops and Roses", Greatest Hits is the definitive Jack Jones collection.

Although the Philip Jones Brass Ensemble actually formed in 1951, its first full-length concert did not take place until the 1962 Aldeburgh Festival. Moreover, the group made its first recording only in 1970. It was the first such brass ensemble to perform in the world's major concert halls and to record with the preeminent labels. Philip Jones (born 1928), the ensemble's founder, was a virtuoso trumpet player whose first important position was with the Covent Garden orchestra, where he played from 1948 to 1951.

Tomorrow sees the release of Day Breaks Deluxe Edition, a new expanded version of Norah Jones’ acclaimed album. A 2-CD set and limited edition 2-LP 180g silver foil-cover vinyl are available to order on the Norah Jones Store, and the Deluxe Edition will also be available at all physical and digital retailers and streaming services on October 27. The expanded track listing includes the addition of nine songs recorded live in New York City during Norah’s album release shows in October 2016.

Sir Thomas John Woodward OBE (born 7 June 1940), also known by his stage name Tom Jones, is a Welsh singer. His career has spanned six decades, from his emergence as a vocalist in the mid-1960s with a string of top hits, regular touring, appearances in Las Vegas (1967–2011), and career comebacks—to coaching on The Voice UK from 2012 (with the exception of 2016). Jones's powerful voice has been described as a "full-throated, robust baritone"..

Harold Land & Carmell Jones Quintets - Complete Studio Recordings (2007) {2CD Lone Hill Jazz LHJ10268 rec 1961-1963}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 924 Mb | MP3 @320 -> 376 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 1961-63, 2007 Lone Hill Jazz | LHJ1026
Jazz / Hard Bop / Saxophone / Trumpet

One of the hippest jazz pairings on the LA scene in the early 60s – presented here in a 2CD set with nearly 4 albums' worth of material! First up is the well-titled Remarkable Carmell Jones – one of the few sessions cut as a leader by trumpeter Carmell Jones – a wonderfully talented player from LA, who was one of the leading lights in that city's hardbop scene during the early 60s! The set grooves like the best Blue Note sessions of the time – Jones leading a combo that features Harold Land on tenor, Frank Strazzeri on piano, Gary Peacock on bass, and Leon Pettis on drums – all working with a careful blend of soul jazz and modern influences, on a wonderful batch of well-written tunes.

It may be far too obvious to even mention that Norah Jones' follow-up to her 18-million-unit-selling, eight-Grammy-winning, genre-bending, super-smash album Come Away with Me has perhaps a bit too much to live up to. But that's probably the biggest conundrum for Jones: having to follow up the phenomenal success of an album that was never designed to be so hugely popular in the first place. Come Away with Me was a little album by an unknown pianist/vocalist who attempted to mix jazz, country, and folk in an acoustic setting – who knew? Feels Like Home could be seen as "Come Away with Me Again" if not for that fact that it's actually better. Smartly following the template forged by Jones and producer Arif Mardin, there is the intimate single "Sunrise," some reworked cover tunes, some interesting originals, and one ostensible jazz standard.

Elvin Jones - Mr. Jones (1972) {Blue Note Japan BNLA Series 24-bit Remaster TOCJ-50551 rel 2013}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 234 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 600 dpi (png) -> 177 Mb | 5% repair rar | 24-bit remaster
© 1972, 2013 Blue Note / EMI Music Japan | TOCJ-50551
Jazz / Post Bop / Jazz Funk / Drums

A overlooked gem in Elvin Jones' Blue Note career – and an album that's virtually the blueprint for the Stone Alliance sound forged later in the decade by bassist Gene Perla and reedman Steve Grossman! Both players are working to full effect on this smoking little set – mixing some of the more spiritual modes of other group members with their own sharper-edged, funky-leaning styles – all held together perfectly by both Jones' tight work on drums, and his expansive musical vision! Other players are great too – and include Pepper Adams on baritone sax, David Liebman on flute and tenor, and Jan Hammer on acoustic piano – an instrument he handles with surprising subtlety and soul. Many cuts have a hard, choppy groove – and titles include a remake of "Gee Gee", plus "One's Native Place", "Mr Jones", and "What's Up – That's It".