Taga Jones le Poignard

The Jones Brothers - Keepin' Up with The Joneses (1958) {Verve Elite 314 538 633-2 rel 1999}
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© 1958, 1999 Verve Elite Edition / PolyGram | 314 538 633
Jazz / Hard Bop

In spite of their very long careers in jazz, brothers Hank, Thad and Elvin Jones made relatively few recordings together; this Leonard Feather-produced date got the three of them into the studio and added to the gimmick by including Eddie Jones (no relation) on bass, and performing exclusively works by Thad or Isham Jones (also no relation). The music that's stood the test of time includes Thad's often-recorded "Three and One," which was evidently written for this session, and Isham Jones' best-known works "It Had to Be You," and the perennial favorite "There Is No Greater Love."

Limited pressing edition. Reissue album from ELVIN JONES. Releasing in SHM-CD. Originally released by Atlantic in 1965. Recorded on Feb. 16(Tr. 1, 4, 6) & Mar. 18(Tr. 2, 3, 5, 7), 1965 in New York. J.J. Johnson(tb), Frank Wess(ts, fl), Charles Davis(bar), Don Friedman, Hank Jones(p), Art Davis, Paul Chambers(b), Elvin Jones(ds), Thad Jones(cnt, arr).

"Fantastic studio recording, caught by Taylor Hales at Chicago's legendary Electrical Audio, documenting the first full meeting of all the players on this album. Mako Sica, at this point in time revolve around the core duo of Przemyslaw Krys Drazek (electric trumpet, mandolin, electric guitar) and Brent Fuscaldo (vocals, electric bass, harmonica, thumb piano, gong, percussion). For this session, these two are joined once again by Chicago's always-revelatory percussionist, Hamid Drake, with whom they have previously recorded Ronda (FTR 409LP) and Balancing Tear (FTR 513LP). In addition, Ourania features the upright bass and shamisen of Tasu Aoki (Drake's longtime partner in Fred Anderson's trio).

The iconic singer Tom Jones performs with special guest and Grammy winner Alison Krauss. Jones performs signature songs “Delilah,” “It’s Not Unusual,” “Green, Green Grass of Home,” “Kiss” and “Thunderball,” as well as new material from his recent albums…

John Paul Jones stayed quiet for years after the disbandment of Led Zeppelin, performing the occasional arranging, soundtrack, or production gig, or collaborating with such avant garde musicians as Diamanda Galas. Throughout it all, he never released a full-fledged solo album – until the fall of 1999, when he unleashed Zooma. Anyone that was following who Jones worked with in the '90s – including Galas, the Butthole Surfers, and R.E.M. – shouldn't be entirely surprised by the depth, range, and gleeful strangeness on Zooma, but those expecting something like Led Zeppelin IV will be disappointed. That's not to say that there's no Zeppelin here at all. Jones was a key member of Zep, contributing heavily to their sonic majesty and experimental bent, all things that are apparent throughout the album.