Released four years after the Talking Heads called it a day with 1988's Naked, Popular Favorites provides a thorough overview of one of the most important American bands of the '80s. From tightly wound early efforts such as "Psycho Killer" and "Don't Worry About the Government" to the seriously funky likes of "I Zimbra" and "Burning Down the House," David Byrne, Jerry Harrison, Tina Weymouth, and Chris Franz grew as musicians as they stretched the original concepts of the unit to the breaking point. Over the course of two discs and 32 selections, the anthology chronicles the Heads' development from Bowery art punks (albeit of the most civil stripe) to unlikely arena stars. A smattering of unreleased tracks and notes from the original quartet nicely flesh out the retrospective.
Talking Heads' 30th anniversary is commemorated in typically artful style here, sonically upgrading their eight, era-defining albums via bonus-packed Dual Discs and encasing them in a molded white plastic box intricately embossed with the band's song titles. Each disc contains complete album tracks and bonus cuts remastered in High Resolution Stereo on its CD side, while the DVD programming on the flip offers up the audio tracks in expansive new 5.1 Surround Sound mixes, with all of the sonic upgrading personally supervised by Jerry Harrison. Those long overdue audio improvements alone would make it an attractive set, but fans of the band will find its wealth of bonus music (various B-sides and previously unreleased outtakes) and video (including a number of rare live clips seeing their first release here) supplements equally intriguing.
Talking Heads fans have been waiting a long time to have the band's eight studio albums remastered and reissued, but they may find that the long-awaited revamping of the group's catalog is somewhat problematic. Instead of being released as individual titles, all eight titles were boxed and reissued as an expensive set, Talking Heads Brick (this box retails for $149.99; individual releases are tentatively scheduled to follow, three to four months after this set's October 2005 release) – and they're not issued as CDs, they're only available as DualDiscs, a format that contains a CD on one side and a DVD on the other.
Until the End of the World is a definite contender for best motion picture soundtrack of the 1990s. With a lineup that includes Talking Heads, Lou Reed, R.E.M., Nick Cave and the Bad Seeds, Depeche Mode, U2, and others all providing original songs or new covers, it's an absolute joy. Interspersed with Graeme Revell's haunting ambient score, virtually every pop/rock track works perfectly as part of a cohesive whole. "Sax and Violins," recorded during the dying days of Talking Heads, might be the band's most confident moment, as a jazzy background shuffle and keyboards provide compelling momentum underneath David Byrne's sarcastic vocals. Crime & the City Solution could have made an entire career out of the emotional yet existential "The Adversary." R.E.M. and Depeche Mode both contribute touching ballads. "Fretless" is one of the most beautiful tracks to be found in R.E.M.'s discography, documenting a wounded relationship with subtle grace. "Death's Door" is one of those sad numbers Depeche Mode fans have grown to love, with Martin Gore handling the vocals.
16 Soft Rock Classics from The Stranglers, Gerry Rafferty, The Waterboys, Huey & The News Lewis & Others