Taste Shm

Fated never to rise to any heights at all, Hard Stuff – formed by guitarist John Du Cann following his unceremonious firing from Atomic Rooster – had already been through two names before they were signed to Deep Purple's Purple label; Daemon lasted a few rehearsals; Bullet survived a single; they became Hard Stuff after another Bullet fired a legal complaint at them, and Bulletproof was their riposte. It is heavy and it is loud. Period reviews mused on the Purple influence and they are not far from the mark, but only if organ were excised from the mix, to be replaced by guitars, guitars, and more guitars.

The Modern Jazz Disciples - The Modern Jazz Disciples (1959) {2013 Japan Prestige New Jazz Chronicle SHM-CD HR Cutting Series UCCO-5370}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 295 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 404 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1959, 2013 Prestige New Jazz / Concord / Universal Japan | UCCO-5370 | NJLP 8222
Jazz / Hard Bop / Bop

Reissue features the latest DSD / HR Cutting remastering and the high-fidelity SHM-CD format (compatible with standard CD player). Comes with a description. Features the original LP designs. In a perfect world, Curtis Peagler's Modern Jazz Disciples would have had a longer run and built a much larger catalog. But regrettably, the Cincinnati quintet is only a small footnote in the history of hard bop and gave listeners only two albums. The first was this self-titled LP, which was recorded for Prestige's New Jazz subsidiary in 1959. The Modern Jazz Disciples shows the late Peagler, who turned 29 that year, to be a hard-swinging alto saxman in the Charlie Parker/Sonny Stitt/Cannonball Adderley/Phil Woods vein – his hot-blooded solos on tracks like "A Little Taste," "Slippin' and Slidin'," and the standard "After You've Gone" make this record well worth the price of admission.

Love Beach is the seventh studio album by English progressive rock group Emerson, Lake & Palmer, released in 1978. It was the band's final album of original material until Black Moon (1992) and was produced to satisfy contractual obligations with the group's record company…

Traffic - 10 Album Collection (1967-1974) {2008 10CD Set SHM-CD Universal Japan Mini LP Remaster UICY-93640~49}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.27 Gb | MP3 @320 -> 1.50 Gb
Full Artwork @ 300 dpi (png) -> 414 Mb (inside) | 5% repair rar
© 1967-74, 2008 Island / Universal Music Japan | UICY-93640~49 | SHM-CD | Mini LP
Rock / Art Rock / Prog Rock / Psychedelic Rock

Cardboard sleeve (mini LP) reissue from Traffic featuring the high-fidelity SHM-CD format (fully compatible with standard CD players). Part of a ten-album Traffic SHM-CD Cardboard sleeve (mini LP) reissue series featuring the albums "Mr. Fantasy," "Heaven is in Your Mind," "Traffic," "Last Exit," "John Barleycorn Must Die," "Welcome To The Canteen," "THe Low Spark of High Heeled Boys," "Shoot Out at the Fantasy Factory," "On The Road," and "When The Eagle Flies." Since Traffic's debut album, Mr. Fantasy, has been issued in different configurations over the years, a history of those differences is in order. In 1967, the British record industry considered albums and singles separate entities; thus, Mr. Fantasy did not contain the group's three previous Top Ten U.K. hits. Just as the album was being released in the U.K., Traffic split from Dave Mason.

May Blitz - May Blitz (1970) {Universal Japan Mini LP SHM-CD, UICY-94682 rel 2010}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 265 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 600 dpi (png) -> 353 Mb | 5% repair rar
© 1970, 2010 Vertigo / Mercury / Universal Japan | UICY-94682
Rock / Psychedelic / Hard Rock / Prog-Rock / Acid Rock

Cardboard sleeve (mini LP) reissue from May Blitz featuring the high-fidelity SHM-CD format (compatible with standard CD players) an the latest remastering (subject to change). Part of a two-album May Blitz SHM-CD cardboard sleeve reissue series featuring albums "May Blitz" and "The 2nd Of May." Also features the cardboard sleeve and the serial-numbered card which replicate the UK first pressing LP artwork.

Milt Jackson - Milt Jackson (1952) {Blue Note Japan SHM-CD TYCJ-81022 rel 2013} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 211 Mb | MP3 @320 -> 140 Mb
Full Artwork @ 600 dpi (png) -> 226 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1952, 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81022
Jazz / Bop / Vibes

Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. This CD presents two complete sessions led by vibraphonist Milt Jackson: one where the eventual members of the Modern Jazz Quartet are joined by saxophonist Lou Donaldson, and eight quartet tracks with Thelonious Monk. The July 2, 1948, date with Monk was recorded eight months after the pianist's first recordings as a leader. Jackson, responding to the demands of Monk's music with his customary fluid grace, is key to these definitive early recordings of "Evidence," "Misterioso," "Epistrophy," and "I Mean You."

Anita O'Day - An Evening With Anita O'Day (1955) {2016 Japan Verve 60th Rare Albums SHM-CD Reissue Series UCCV-9635}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 143 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 600 dpi (jpg) -> 77 Mb | 5% repair rar
© 1955, 2016 Verve / Universal Japan | UCCV-9635
Jazz / Vocal Jazz / Bop

Verve 60th Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. A combination of three sessions with three different small backing groups available currently on a Japanese CD – this is an early revealing example of Anita O'Day's growth as a jazz artist since her days as a big band thrush. Her virtuosity at fast tempos is right on the dot, and she is fearlessly willing to take wide-open liberties with the melodies.