Tata Sau Mama

Arhoolie's Ball n' Chain is a terrific collection of late-'60s recordings from Big Mama Thornton. Supported on various tracks by Lightnin' Hopkins and Larry Williams, Big Mama runs through such familiar items as "Hound Dog," "Sometimes I Have a Heartache," "Sweet Little Angel," "Little Red Rooster," "Wade in the Water," and "Ball and Chain," turning in generally powerful performances. By and large, these don't necessarily rival her classic '50s recordings, but they are worth investigating if you're looking for something more.

This wonderful three-disc set brings together everything Willie Mae Thornton recorded for the folk music label in the mid-'70s. It's comprised of her two released albums from 1975, Jail and Sassy Mama, and a complete unreleased album, Big Mama Swings. Thornton was still in good voice on these sessions and while not as powerful as her Peacock sides, the production is solid and these recordings make an excellent addition to her scant discography.

Boogie-woogie pianist Jimmy Yancey and his wife, Mama Yancey, used to have musical gatherings at their Chicago home. The performances heard on this CD were recorded by a wire recorder three months before Yancey's death, and were released for the first time on this 1997 CD. The recording quality varies greatly, ranging from listenable to quite noisy, so this is not a release for general listeners. However, Jimmy Yancey collectors will definitely want it, because there are some unique moments heard along the way. First, an unknown pianist is featured on four numbers, playing very good boogie-woogie, accompanying Mama Yancey on "Make Me a Pallet on the Floor" and "Chicago in Mind." Jimmy Yancey, who was not feeling that well but still playing excellently, is featured on the next five numbers, although two of the three selections that also feature Mama Yancey and have Phil Kiely providing a third hand on the piano, playing the high notes, are a bit damaged. Walter Joplin (no relation) performs "Scott Joplin's New Rag." A jam session takes place with both of the Yanceys (they share the vocals on "Royal Garden Blues"), with clarinetist Buzz Reynolds and banjoist Dick Mushlitz featured on six mostly listenable numbers. In addition, Mushlitz switches to piano for a solo "Blues" recorded a day later, and there are repeats of three of the performances from a clearer but scratchier source. The joy of the music generally shines through on this historic release.

Powerhouse blues and R&B singer, the original "Hound Dog" belter, and one of the most important female architects of rock & roll. Willie Mae "Big Mama" Thornton only notched one national hit in her lifetime, but it was a true monster. "Hound Dog" held down the top slot on Billboard's R&B charts for seven long weeks in 1953. Alas, Elvis Presley's rocking 1956 cover was even bigger, effectively obscuring Thornton's chief claim to immortality. That's a damned shame, because Thornton's menacing growl was indeed something special. The hefty belter first opened her pipes in church but soon embraced the blues. She toured with Sammy Green's Hot Harlem Revue during the 1940s. Thornton was ensconced on the Houston circuit when Peacock Records boss Don Robey signed her in 1951. She debuted on Peacock with "Partnership Blues" that year, backed by trumpeter Joe Scott's band.

Powerful, heavy & bluesy ! People say its the toughest sounding band around. The band with the original, raw sound hails from New Orleans, Louisiana. Johnny leads the ensemble and has racked up 11 records, countless festival appearances, over 30 european tours, a feature in a 2013 film as well as recording for the BBC in London, German National Radio in Bremen, and Belgian National Radio in Brussels. JMMBs music is a blend of new and old at the same time. Roots run deep as Johnny spent 16 years (and Smoke 6 years) at the blues shrine "Babe's & Ricky's Inn" under tutelage from Laura Mae "Mama" Gross.

In the spring of 1966, If You Can Believe Your Eyes and Ears represented a genuinely new sound, as fresh to listeners as the songs on Meet the Beatles had seemed two years earlier. Released just as "California Dreaming" was ascending the charts by leaps and bounds, it was the product of months of rehearsal in the Virgin Islands and John Phillips' discovery of what one could do to build a polished recorded sound in the studio – it embraced folk-rock, pop/rock, pop, and soul, and also reflected the kind of care that acts like the Beatles were putting into their records at the time.

Willie Mae "Big Mama" Thornton helped lay the groundwork for rock & roll in 1953 with her raw electric blues single "Hound Dog" (later covered by Elvis Presley). The Way It Is finds Thornton performing at an L.A. rock club 16 years later, after the rock revolution she and her peers inspired had effectively usurped the blues as the music of the people. Yet at a time when everyone from Muddy Waters to Buddy Guy was making concessions to the rock market in an effort to stay contemporary, Thornton stuck to her guns. For this concert, she relies on the same gritty, old-school blues sound that made her famous…