Tate's Bak Shop

Renowned Danish composer and pianist, Frans Bak, unveils his latest project, the ballads album 'Softer Than You Know', on Storyville Records, marking a nostalgic return to his musical origins. It's a collection of 10 songs featuring lyrics by Helle Hansen, performed by the internationally acclaimed vocalist Sinne Eeg. Bak describes the album as a fusion between jazz and pop, offering laid-back melodies and ample room for musical exploration. Recorded with a stellar line up, including Thomas Vang on bass, Emil de Waal on drums paired with contributions from American guitarist Peter Sprague, saxophonists Hans Ulrik and Fredrik Lundin, 'Softer Than You Know' promises to enchant listeners with its soulful melodies and heartfelt lyrics. During the 80's and 90's, Bak's career fourished as he balanced his roles as a pianist, bandleader and composer. He collaborated with Danish artists such as Trine Dyrholm, Hella Joof and Peter Frodin, while also gaining recognition for his flm score compositions. Notably, Bak composed the music for the TV series Forbrydelsen and the US remake The Killing, sparking a 25 year international career into the world of cinematic soundtracks.

"Love Etc." is a song by English synth-pop duo Pet Shop Boys from their tenth studio album, Yes (2009). It was released on 16 March 2009 as the album's lead single.
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour…

A few years after their foray into musicals, the Pet Shop Boys, who are quite possibly disco-pop's most intellectual act, have returned with another project: a live score to Sergei Eisenstein's Battleship Potemkin. Battleship Potemkin was a silent film made in Leninist Russia in 1925, and tells the (somewhat idealized) story of a revolt among sailors of the Czar's Black Sea fleet. Given the Pet Shop Boys' history of playing with Leninist imagery (take, for example, the lyrics to 'West End Girls'), they were a suitably apt choice to do a live score to this film.

"Thursday" is a song by English synth-pop duo Pet Shop Boys, featuring vocals from English singer and rapper Example. It was released on 4 November 2013 as the fourth single from the Pet Shop Boys' twelfth studio album, Electric (2013). The song reached number 61 on the UK Singles Chart and is the highest-charting single from the album.
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms…

Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour. The duo navigated the constantly shifting landscape of modern dance-pop with grace and intelligence, moving easily from disco to house music to thoughtful synth pop without losing their distinctive style in the process…

"Winner" is a song by English synth-pop duo Pet Shop Boys, released as the lead single from their eleventh studio album, Elysium (2012).
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour…

The Pet Shop Boys' collaboration with playwright Jonathan Harvey for Closer to Heaven was a smashing success among the West End in 2001 and a delight for fans around the world. The original cast recording matched the musical's campy appeal and made the Pet Shop Boys accessible again, but on a theatrical scope that's chased their sound for decades. Closer to Heaven is vibrant and brash with lush pop decadence, but also a brazen tale of sex and drugs. What's more inviting is how the overall soundscape is uninhibited. Billie Trix, who's played by Frances Barber, is a vocal vixen. "My Night" is an infectious disco romp, but she sets the mood with the angelically sassy "Friendly Fire." The Pet Shop Boys' own "Vampires" and "Closer to Heaven" from 1999's Nightlife are recast; however, the sheer duet between characters Vic and Shell on "In Denial" shimmies with Hi-NRG breakbeats for something cheeky, yet sensitive…

"Se a vida é (That's the Way Life Is)" is a song by English synth-pop duo Pet Shop Boys, released on 12 August 1996 as the second single from their sixth studio album, Bilingual (1996). The single was one of the most widely played records on UK radio in 1996, and peaked at number eight on the UK Singles Chart. It also reached the top five in Czech Republic, Finland, Hungary and Spain, and the top 10 in Denmark. In the United States, the single was released on 1 April 1997 by Atlantic Records as a double A-side with "To Step Aside".

"Leaving" is the second single from the album "Elysium".
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour. The duo navigated the constantly shifting landscape of modern dance-pop with grace and intelligence, moving easily from disco to house music to thoughtful synth pop without losing their distinctive style in the process…