Japan-only release including the albums The Hurting, Songs From The Big Chair, The Seeds Of Love and the compilation "Flip" which is exclusive to this release.
Wonderful offering from the Tears for Fears camp! Not only you get a live CD (accompanied by the same show on DVD, on this particular version) but also two unreleased studio tracks which should have been included in the Everybody Loves a Happy Ending release…
Tears for Fears' biggest-selling album, Songs from the Big Chair is now available in its most spectacular format. This six disc edition of the album includes newly remastered versions of classics songs like 'Everybody Wants To Rule the World,' 'Mother's Talk,' 'Shout' and 'Head over Heels,' plus a multitude of remixes and B-sides, plus a disc of nine previously unreleased tracks and a 5.1 surround sound version of the album mixed by renowned musician and audio engineer Steven Wilson…
Along with Songs from the Big Chair, The Seeds of Love was part of a one-two artistic punch in the late '80s that situated Tears for Fears as one of the decade's more ambitious pop groups. But at the time, Tears was more a platform for Roland Orzabal than a true band – Curt Smith is present only on the smash "Sowing the Seeds of Love" (his only co-writing credit), while Ian Stanley was replaced by Nicky Holland as a keyboardist and Orzabal's songwriting partner. Like their other albums, The Seeds of Love continues the concept of moving from hurting to healing to beginning anew (the hit "Sowing the Seeds of Love") to growing apart. The songs feature expansive melodies instead of blatant hooks, and the sound is more grounded in soul and gospel on songs like "Woman in Chains," the updated Philly-soul strain of "Advice for the Young at Heart" and "Badman's Song." Orazabal's passionate vocals are well matched by Oleta Adams' fervent contributions. The group even dabbles in jazz on "Standing on the Corner of the Third World," the fabulous "Swords and Knives," and the slow-burning "Year of the Knife".
If The Hurting was mental anguish, Songs from the Big Chair marks the progression towards emotional healing, a particularly bold sort of catharsis culled from Roland Orzabal and Curt Smith's shared attraction to primal scream therapy. The album also heralded a dramatic maturation in the band's music, away from the synth-pop brand with which it was (unjustly) seared following the debut, and towards a complex, enveloping pop sophistication…
The Hurting would have been a daring debut for a pop-oriented band in any era, but it was an unexpected success in England in 1983, mostly by virtue of its makers' ability to package an unpleasant subject – the psychologically wretched family histories of Roland Orzabal and Curt Smith – in an attractive and sellable musical format…