Technologie Der Strahlenchemie Von Polymeren

A Sloppy Piece of Work? This is how Franz Lehár described what was certainly his most successful work after The Merry Widow immediately after its composition. Today we know, however, that this was a gross misjudgment. Or if it was sloppy, then sloppy in a genial way. It bubbles over with catchy melodies, and dramaturgically it is in any case certainly the master's finest operetta: Der Graf von Luxemburg (The Count of Luxembourg). When the theater next-door to cpo in Osnabrück had the Graf on its program in 2011, it soon became clear that a stellar moment was involved here. The decision was quickly made to use this wonderful occasion for a production. The review of the operetta's premiere in Opernwelt shortly thereafter confirmed our decision: “The conductor Daniel Inbal passionately and elegantly brings out Lehár's intimate salon tone with the Osnabrück Symphony Orchestra, whose members play with the highest animation, carefully also in the postludes and transitional pieces, with what almost might be termed a fine operetta-philological feel. […] One feels empathy and great seriousness in the discerning treatment of the subject matter. Marco Vassalli, who is the spitting image of the young Johannes Heesters, fulfills the title hero's nonchalance requirement.”

Viktor Ullmann's one-act chamber opera Der Kaiser von Atlantis was written in the Theresienstadt camp and did not see its premiere until December 16, 1975 in Amsterdam, since the performance had been banned after its dress rehearsal in 1944. The concert performance of the version by Henning Brauel and Andreas Krause (Schott), which took place on October 10, 2021 at the Prinzregententheater in Munich, was recorded for this release. Alongside the internationally renowned Austrian Kammersänger Adrian Eröd in the title role, mainly young performers sang, accompanied by the Münchner Rundfunkorchester conducted by Patrick Hahn, who made his debut here as the orchestra's principal guest conductor.

Den weltberühmten Roman von Alexandre Dumas gibt es jetzt auch als packendes Hörspiel mit Mathieu Carrière in der Hauptrolle. Alexandre Dumas, der von 1802 bis 1870 lebte, war einer der größten Dramatiker und Romanschriftsteller des 19. Jahrhunderts. Seine Vorlage für den Grafen von Monte Christo nahm er aus den Polizeiarchiven von Paris und schrieb die wahre Geschichte des unschuldig verurteilten Schuhmachers François Picaud in einen Abenteuerroman um. Es entstand ein auch heute noch gültiges Stück um Macht und Ohnmacht, um Schuld und Sühne.

Magisch und zauberhaft, ein Roman voll lodernder Leidenschaft! Ein anschaulich beschriebener Schauplatz, mutige und abenteuerliche Protagonisten und eine fesselnde Geschichte mit Leidenschaft und Gefahr und ein bisschen Mystik. Lara Adrian erzählt eine magische Geschichte voller lebendiger und starker Figuren, deren Abenteuer von der ersten Seite an fesseln! Ein absolut fesselndes, fantastisches historisch-paranormales Liebesroman-Hörbuch. Grandios vorgetragen von Uve Teschner.

Der packende Nachfolger von Catherine Shepherd´s Bestseller „Der Puzzlemörder von Zons“: