Ten Days

Some will be aware of the long running partnership between the Finland’s Colossus Project and French label/distributor Musea Records. The fruits of this joining have produced an impressive twenty-plus back-catalogue of ‘compilation’ releases dating back over a decade and a half. The format has altered somewhat over the years, but in essence the varied projects bring together bands and musicians, from across the globe, to offer interpretations from a given theme. This is the second installment in the Colossus Decameron series, spanning Decameron days 4-7.
As the album title implies, the book itself contains one hundred tales - this is told by a group of ten young people who are hiding in an isolated villa just outside Florence in Italy to escape the Black Death, circa 1346-53…

After having revisited Dante's "Divine Comedy" ala Progressive rock, Finnish fanzine Colossus and French label Musea dig deeper into Italian literature of the Renaissance with another classic: Giovanni Boccaccio's "Decameron". Many bands (Nexus, Phideaux, Daal, The Samurai of Prog, Jukka Kulju, Senogul and others) worked hard on that beutiful four-CDs album, worth listening.

A Space in Time was Ten Years After's best-selling album. This was due primarily to the strength of "I'd Love to Change the World," the band's only hit single, and one of the most ubiquitous AM and FM radio cuts of the summer of 1971. TYA's first album for Columbia, A Space in Time has more of a pop-oriented feel than any of their previous releases had…

Ten Years After are an English blues rock band, most popular in the late 1960s and early 1970s. Between 1968 and 1973, Ten Years After scored eight Top 40 albums on the UK Albums Chart…

This live set is OK in small doses. Ten Years After were always rooted in the blues, and the highlights here, such as "Good Morning Little Schoolgirl" and "Slow Blues in C," show they hadn't changed. While this set is competent enough, there just isn't enough of the excitement you would expect coming from this band…