Surely one of the most unsung bands in the history of American hard rock music, BANG released three full-length albums for Capitol Records in the early 70’s, that criminally sank without a trace. Capitol artist development at the time just did not know what to do with the band that was often called America’s answer to Black Sabbath. BANG‛s first significant break came when the Philadelphia band gate-crashed a Rod Stewart show in Orlando in 1971 convincing promoters to put them on as the warm up act. With the interest of the major concert promoters of the day, East Coast Concerts and Concerts West, the band soon became major contenders in the hard rock arena.
In the summer of 1971, BANG, a trio from the Philadelphia area, decided to take a road trip to Florida to try their fortune. While buying some rolling papers in the Sunshine State, they learned about a Small Faces and Deep Purple concert nearby in Orlando. They showed up at the venue and brazenly declared they were ready to go on stage. The concert organizer asked them to set up and play for him. After a couple songs, he told them they were opening for Rod Stewart and Faces. Before they knew it, BANG was playing with Bachman Turner Overdrive, Deep Purple, Three Dog Night, Fleetwood Mac, Ike and Tina Turner, The Doobie Brothers, and even Black Sabbath. Capitol Records signed them, and three LPs were released. This CD was put out by the band and has the albums Bang and Mother/Bow To The King both on the same cd. This was self released and not on any label.
Bang is well-regarded as one of the premier progressive jazz violinists, and this recording, not surprisingly, shows him balancing music both inside and out. Pianist D.D. Jackson follows these modern traditionalist lines, while unheralded bassist Akira Ando holds up things nicely, and drummer Ronnie Burrage constructs and deconstructs rhythms in rapid-fire fashion. Of the standards, played within the tradition, all are easily identifiable and enjoyable. "Sweet Georgia Brown" is a most vibrant rendition of the other side of Stephane Grappelli – straight, swinging, and yes, incorporating some low-atmosphere blasts and scrapings.
At 25 years old, Polly Gibbons is one of the most talked about young singer/songwriters in the UK – her nomination for a BBC Jazz Award is clear indication of her success, along with ongoing performances at some of the top UK venues and international festivals. Raised with 5 siblings on a musical Suffolk farm, people quickly became aware of her vocal talent. By the age of 5, Polly had already co-written her first song – a song which was selected from thousands to be recorded at Air Studios in London.