Test Record Flac

In his old age, Van Morrison dispensed with any lingering niceties he harbored, favoring bluntness over poetry. That transition is made plain by the title Latest Record Project, Vol. 1, a literal description of the album if not its contents. Latest Record Project, Vol. 1 is indeed Morrison's latest record project as of 2021 – it's called "Vol. 1" because he recorded more than enough to fill a second volume, a remarkable feat considering that this album contains 28 tracks and runs well over two hours – and if that doesn't hint at what the music within sounds like, it's also true that Van Morrison has stayed in his R&B lane for much of the 2010s…

The sound of Paul Bley's trio brings to mind Lennie Tristano immediately as this recording begins, and for once Bley is playing with a heavy enough touch so that an appropriately dark-toned curtain shrouds the music; out of this bursts a series of blues choruses that are incredibly inspired. Thus begins one of Bley's most enjoyable albums, a recording from New York City in the early '60s that has been issued in close to ten different versions. The acquisition of these tapes by the French BYG label right away spells trouble, especially for anyone hoping to collect royalties. Jazz fans will encounter several different cover photographs for these loose Footloose! releases, even involving several different pipes being smoked by Bley.

When the Bureau B label contacted Karl Bartos and showed interest in releasing any archival material he might have laying around the lab, the former Kraftwerk member (that is, "classic lineup" member, joining for the Autobahn tour and leaving somewhere between Electric Cafe and The Mix) wasn't interested. After all, he's a never-look-back futurist, but as the liner notes to Off the Record explain, he's an open-minded futurist as well and allowed this initially rejected idea to morph into something new. Kicking off with "Atomium" - a grand bit of robot techno and possible sequel to Kraftwerk's "Radioactivity" - Off the Record uses Bartos' archival tapes, zip drives, or computer files from 1975 to 1993 as its foundation, then mashes these off-hours audio sketches (recorded "off the record" from his usual band) with new ideas, overdubs, and vocoder vocals…

Though he never really slowed down at any point, Neil Young stayed on an especially prolific streak as the 2010s bled into the 2020s. In addition to a steady rollout of archival material, official versions of long-bootlegged shows, and other miscellanea, Neil has produced albums of entirely new material at a rate unmatched by most artists in his age bracket who have been at it for as long as he has. World Record follows quickly behind the mellow rocking of 2021's Barn, and again finds Young ably backed by his longest-running comrades, Crazy Horse. This time around, however, the band worked with producer Rick Rubin, capturing everything live in the studio and sticking to an analog-heavy recording process. World Record is an album built of unlikely combinations that somehow work.

The career of Buke & Gase, the duo of Arone Dyer and Aron Sanchez, has one of the more idiosyncratic arcs of any band of the past two decades. Formed in 2008, they became a cult obsession shortly after the release of their first demo EP, with the left-field indie rock of that release and their first LP Riposte earning the attention of luminaries like The National and Lou Reed, and praise from the likes of Pitchfork and Radiolab (which featured the group on three episodes) and NPR (where they played one of the very first Tiny Desk Concerts).