Testament Records

Testament is an American thrash metal band from Berkeley, California. Formed in 1983 under the name Legacy, the band's current lineup comprises guitarists Eric Peterson and Alex Skolnick, lead vocalist Chuck Billy, drummer Gene Hoglan, and bassist Steve Di Giorgio. In the 34 years since its inception, Testament has had numerous lineup changes, and Peterson has been the only constant member…

What the world needs now is a comfort-food thrash record that is big, dumb and absolutely killer. Sure, there are plenty of newer bands capable of generating that sort of din. It is exponentially more satisfying when that essential thrash record is put out by established genre greats. TESTAMENT long ago established why they are the answer to many inquiries regarding the best thrash band that is just outside "Big Four" status…

What the world needs now is a comfort-food thrash record that is big, dumb and absolutely killer. Sure, there are plenty of newer bands capable of generating that sort of din. It is exponentially more satisfying when that essential thrash record is put out by established genre greats. TESTAMENT long ago established why they are the answer to many inquiries regarding the best thrash band that is just outside "Big Four" status…

After 35 years and the release of over 2800 contemporary blues tracks, it's safe to say that Bruce Iglauer's Alligator Records is the world's premier blues label, particularly if sheer numbers are factored in, and while the label's releases tend to sound mind-numbingly similar sometimes, this two-disc overview of Alligator's history shows how much raw vitality the blues still has in its tank. Alligator Records 35X35, arranged chronologically and featuring a selection drawn from each of the artist's debut albums with Alligator, gets rolling right where it all began, with Hound Dog Taylor's "She's Gone" from 1971, and marches through to 2004, closing the second disc with a stunning version of "See That My Grave Is Kept Clean" (here called "A Dying Man's Plea") by the great Mavis Staples, who makes clear the deep affinity of gospel to the blues, or vice versa, since the two forms philosophically complete each other, the way Saturday marches straight into Sunday.

Lawrence D. "Butch" Morris - Testament: A Conduction Collection (1995) {10CD Set, New World Records 80478-2 rec 1988-1993}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.81 Gb | MP3 @320 -> 1.43 Gb
Full Artwork @ 300 dpi (jpg) -> 53 Mb | 5% repair rar
© 1988-93, 2005 New World Records | New World 80478-2
Jazz / Structured Improvisation / Avant-Garde / Experimental Ensemble

The ceaselessly innovative and searching composer and Butch Morris died yesterday in New York. He had been under treatment of cancer for several years. Morris was 65. He developed an approach to big band music that he called conduction. It made demands on musicians by insisting on intensive, intuitive listening, reaction and interaction. The effort involved adjustment to Morris’s highly personalized methods of conducting while simultaneously composing and arranging through a system of cues and hand motions.

The Blasters - Testament: The Complete Slash Recordings (2002) {2CD Set, Rhino-Slash-Warner Bros. R2 78345 rel 1981-1985}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.04 Gb | MP3 @320 -> 373 Mb
Full Artwork @ 300 dpi (jpg) -> 35 Mb | 5% repair rar
© 1981-85, 2002 Rhino / Slash / Warner Bros. | R2 78345
Rock & Roll / Rockabilly / College Rock / Classic Rock

"We got the Louisiana boogie and the Delta blues/We got country swing and rockabilly, too/We got jazz, country western, and Chicago blues/It's the greatest music that you ever knew." Dave Alvin was writing about "American Music" in his song of the same name when he penned those lines, but while he would never be quite so arrogant as to say so himself, he could have been talking about his band, the Blasters, who used the song as the title track of their first album. While often lumped in with the L.A. rockabilly scene that rose up in the wake of punk rock, from the start the Blasters displayed a wide-ranging musical diversity that set them far apart from, say, Levi and the Rockats.

Gothenburg’s finest export of darkness, Evergrey, enters an astonishing new chapter in the band’s history with their thirteenth studio album and Napalm Records debut, A Heartless Portrait (The Orphean Testament), to be released on May 20, 2022. This overwhelming journey through progressive heaviness and searing emotionality is repeatedly accented by sonic melancholy and gripping lyrics - leaving the listener speechless and re-cementing the Swedish five-piece at the top of the scene without a shadow of a doubt!
Celebrating over 25 years of metal mastery, Evergrey, led by founder, singer and guitarist Tom S. Englund, are known for wandering the realms of progressive and heavy melodic metal and painting sonic renderings with their twelve studio records released as of today…