The Art og Burnini

"Owen is a food star for a new generation…I can't wait to try more of his creations from this book!" —Gordon Ramsay

"Owen is a food star for a new generation…I can't wait to try more of his creations from this book!" —Gordon Ramsay

Foundations of Navigating the Art World: Explore Art Market Dynamics, Investment Strategies, and Key Industry Players

Learn how art therapy reduces stress, builds self-confidence, drives personal growth, enhances emotional understanding

FRANK WARWICK: Northern Carp Supremo, best known for innovative rig design and ultra long range casting- Franks successes on a host of waters in England and Europe make him one of the most experienced anglers in modern day carping. DANNY FAIRBRASS: Founder and head designer of the hugely successful lead manufacturing Korda Developments, Dannys carping career has been spent developing and refining rigs and tactics to the highest degree, and he has caught 30lb carp from five different European countries. Because Danny and Frank have developed their angling expertise in totally different areas of England their respective styles of carping are distinct.

Want to know how KY Jelly and cold coffee can help you produce a work of art that looks like it's set you back a few hundred thousand pounds? Then John Myatt is your man…

Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with "Kiss" and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators. Collection includes: (Who's Afraid Of?) The Art Of Noise! (1984); In Visible Silence (1986); In No Sense? Nonsense! (1987); Below The Waste (1989); The Ambient Collection (1990); The FON Mixes (1991); The Seduction Of Claude Debussy (1999).

In his Opus 300 Carl Czerny compiled a unique keyboard compendium of all the stylistic facets of European music from the Baroque until far into the Romantic era – an audio history of music en miniature featuring preludes as our guides and an overwhelming variety of characters, forms, and pianistic invention. The 120 finely chiseled preludes range from the aphoristic extreme of ten to twenty seconds in length to the just as aphoristically packed narrative and rhapsodic forms of a maximum of three to four minutes. Their numerical midpoint is formed by sixteen very short interludes that are brilliant examples of modulations, each proceeding from C major to all the other major keys. Like most of the preludes from No. 60 to No. 71, they represent variants of this art form originally distinguished by improvisation: as interludes they build audio bridges from one (imaginary) work to the next and link what would appear to be beyond linking. The work of course is interpreted in its entirety on two CDs – by none other than Kolja Lessing, one of the most versatile musicians of our times and a violinist and pianist who combines interpretive and musicological work in his many significant contributions to music culture.