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The Bad Shepards

Nick Cave & The Bad Seeds - The Boatman's Call (1997) [Japanese Edition] (Repost)

Nick Cave & The Bad Seeds - The Boatman's Call (1997) [Japanese Edition]
EAC Rip | FLAC (image+.cue+log) - 322 MB | MP3 CBR 320 kbps (LAME 3.93) - 144 MB | Covers - 58 MB
Genre: Alternative Rock, Post-Punk | RAR 3% Rec. | Label: Toshiba-EMI (TOCP-50190)

Murder Ballads brought Nick Cave's morbidity to near-parodic levels, which makes the disarmingly frank and introspective songs of The Boatman's Call all the more startling. A song cycle equally inspired by Cave's failed romantic affairs and religious doubts, The Boatman's Call captures him at his most honest and despairing - while he retains a fascination for gothic, Biblical imagery, it has little of the grand theatricality and self-conscious poetics that made his albums emotionally distant in the past. This time, there's no posturing, either from Cave or the Bad Seeds. The music is direct, yet it has many textures, from blues to jazz, which offer a revealing and sympathetic bed for Cave's best, most affecting songs. The Boatman's Call is one of his finest albums and arguably the masterpiece he has been promising throughout his career.
Nick Cave & The Bad Seeds - No More Shall We Part (2001) 2CD Limited Edition [Re-Up]

Nick Cave & The Bad Seeds - No More Shall We Part (2001) 2CD Limited Edition
EAC | FLAC | Tracks (Cue&Log) ~ 428 Mb | Mp3 (CBR320) ~ 176 Mb
Bonus Data (audio & video) ~ 224 Mb | Scans ~ 137 Mb
Alternative Rock | Label: Mute | # LCDStumm164 | Time: 01:16:55

No More Shall We Part is the eleventh studio album by Nick Cave and the Bad Seeds, released on 2 April 2001 in the UK (and 10 April in the US). The album came after a 4-year gap from recording, following the much acclaimed album The Boatman's Call. Cave had to overcome heavy heroin and alcohol addictions in 1999-2000 before starting work on the album. It was met with mostly positive reviews. This is Limited Edition with Two Bonus Tracks and a Cdrom with Exclusive Footage of the Band. The Bonus Tracks Are 'bless his Ever Loving Heart' and 'grief Came Riding'.
Nick Cave And The Bad Seeds - Lovely Creatures: The Best Of Nick Cave And The Bad Seeds 1984-2014 (2017)

Nick Cave And The Bad Seeds - Lovely Creatures: The Best Of Nick Cave And The Bad Seeds 1984-2014 (2017)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
3CD | Mute, 5414939926563 | ~ 1461 or 538 Mb | Scans(png) -> 2068 Mb
DVD-9: NTSC 16:9 (720x480) VBR | LinearPCM, 2 ch
Pop Rock / Ballad / Alternative Rock

Nick Cave is a singular figure in contemporary rock music; he first emerged as punk rock was making its presence known in Australia, but though he's never surrendered his status as a provocateur and a musical outlaw, he quickly abandoned the simplicity of punk for something grander and more literate, though no less punishing in its outlook…
Nick Cave & The Bad Seeds - From Her To Eternity (1984) Japanese Reissue 1996 [Re-Up]

Nick Cave & The Bad Seeds - From Her To Eternity (1984) Japanese Reissue 1996
EAC | FLAC | Tracks (Cue&Log) ~ 288 Mb | Mp3 (CBR320) ~ 125 Mb | Scans ~ 125 Mb
Alternative Rock, Post-Punk | Label: Mute, Pony Canyon | # PCCY-00915 | Time: 00:54:53

Nick Cave launched his solo career in style with From Her to Eternity, an accomplished album mixing the frenzy and power of his Birthday Party days with a dank, moody atmosphere that showed he was not interested in simply continuing what the older group had done. To be sure, Mick Harvey joined him from the Party days, as ever playing a variety of instruments, while one-time Party guest Blixa Bargeld now became a permanent Cave partner, splitting his time between the Bad Seeds and Einsturzende Neubaten ever since. The group took wing with a harrowing version of Leonard Cohen's "Avalanche," Cave's wracked, buried tones suiting the Canadian legend's words perfectly, and never looked back. From Her to Eternity is crammed with any number of doom-laden songs, with Cave the understandable center of attention, his commanding vocals turning the blues and rural music into theatrical exhibitionism unmatched since Jim Morrison stalked stages.

The Bad-ass Librarians Of Timbuktu (Repost)  eBooks & eLearning

Posted by step778 at Aug. 30, 2019
The Bad-ass Librarians Of Timbuktu (Repost)

Joshua Hammer, "The Bad-ass Librarians Of Timbuktu"
2016 | pages: 430 | ISBN: 1410490033 | EPUB | 6,9 mb
Nick Cave & The Bad Seeds: One More Time With Feeling (2016) 2 Disc Set [Re-Up]

Nick Cave & The Bad Seeds: One More Time With Feeling (2016) 2 Disc Set
A Film by Andrew Dominik

DVD9 + DVD5 | VIDEO_TS | NTSC, 16:9 (720x480) VBR | 01:52:32 + 00:10:21 | 5.3 Gb
Audio: (Disc 1) English AC3 5.1 @ 448 Kbps; (Disc 2) AC3 2.0 @ 192 Kbps | Subs: Français, Español
Genre: Documentary, Music (Experimental Rock)

This music documentary weaves together performances from Nick Cave and the Bad Seeds' 2016 album Skeleton Tree with candid footage of Cave opening up about the death of his 15-year-old son. Directed by Andrew Dominik (Chopper, The Assassination of Jesse James by the Coward Robert Ford).
The Good, The Bad & The Queen - The Good, The Bad & The Queen (2007) [Re-Up]

The Good, The Bad & The Queen - The Good, The Bad & The Queen (2007)
EAC | FLAC | Image (Cue&Log) ~ 280 Mb | Mp3 (CBR320) ~ 107 Mb | Scans included
Label: Honest Jon's / Parlophone | # 373 0672 / 0946 3 73067 2 7
Alternative/Indie Rock, Art Rock | Time: 00:42:58

To open this oddball supergroup's debut, Paul Simonon hints at "Guns of Brixton," and when Tony Allen's flex rhythms come in, there's a shadow of Fela Kuti, too. Then Damon Albarn's slow grit of a voice enters–framed by Simon Tong's flecked guitar. And collectively, The Good, the Bad, & the Queen is quickly sui generis, adamantly different than anything you think you've heard. A band with this much power has at least two options: to cut loose raucously or to mute their overt power for a more covert, dub-inflected atmospheric potency. Smartly, Albarn and his crew opt for the half-light of elastic bass lines, the clouds between the parentheses of drums–the covert. It's not until "Kingdom of Doom," the erstwhile 'single' of the album, that motion expands beyond the languorous. And even then, Tony Allen largely sits out. You get the full flush of Simonon and Allen on "Three Changes" shuffling time even while holding the tempo to a dubbish gait. It's not Blur, the Clash, Fela, the Verve, or Gorillaz. It's more than just names on albums.

Nick Cave & The Bad Seeds - Abattoir Blues (2004)  Music

Posted by popsakov at May 9, 2020
Nick Cave & The Bad Seeds - Abattoir Blues (2004)

Nick Cave & The Bad Seeds - Abattoir Blues (2004)
EAC Rip | FLAC (Img) + Cue + Log ~ 319 Mb | MP3 CBR320 ~ 104 Mb
Full Scans ~ 102 Mb | 00:43:06 | RAR 5% Recovery
Alternative Rock | Mute Records / Gala Records #07243 875891 2 4

When Blixa Bargeld left Nick Cave's Bad Seeds, who would have predicted his departure would result in one of the finest offerings in the band's catalog? Abbatoir Blues/The Lyre of Orpheus is a double CD or, rather, two completely different albums packaged in one very handsome box with a stylish lyric booklet and subtly colored pastel sleeves. They were recorded in a total of 16 days by producer Nick Launay (Kate Bush, Midnight Oil, Girls Against Boys, Silverchair, INXS, Virgin Prunes, et al.). Abbatoir Blues, the first disc in the set (packaged in pink, of course), is a rock & roll record. Yeah, the same guy who released the Boatman's Call, No More Shall We Part, and Nocturama albums has turned in a pathos-drenched, volume-cranked rocker, full of crunch, punishment – and taste.
Nick Cave & The Bad Seeds - Kicking Against The Pricks (1986) Japanese Press, 1992 [Re-Up]

Nick Cave & The Bad Seeds - Kicking Against The Pricks (1986) [Japanese Press, 1992]
EAC | FLAC | Tracks (Cue&Log) ~ 271 Mb | Mp3 (CBR320) ~ 115 Mb | Scans ~ 96 Mb
Post-Punk, Alternative Rock | Label: Mute/Alfa | # ALCB-650 | Time: 00:50:16

Besides being noteworthy as an astonishingly good all-covers album, Kicking Against the Pricks is notable for the arrival of a new key member for the Seeds, drummer Thomas Wydler. Besides being a fine percussionist, able to perform at both the explosive and restrained levels Cave requires, Wydler also allowed Harvey to concentrate on adding guitar and keyboards live as well as in the studio, a notable bonus. Race reappears briefly to add some guitar while former Birthday Party cohorts Rowland Howard and Tracy Pew guest as well, the latter on some of his last tracks before his untimely death. The selection of songs is quite impressive, ranging from old standards like "Long Black Veil" to everything from John Lee Hooker's "I'm Gonna Kill That Woman" and Gene Pitney's pop aria "Something's Gotten Hold of My Heart." Matching the range of material, the Seeds are well on their way to becoming the rock/cabaret/blues showband of Cave's dreams, able to conjure up haunting, winsome atmospheres ("Sleeping Annaleah") as much as higher-volume takes (Roy Orbison's "Running Scared," the Velvet Underground's "All Tomorrow's Parties").

Nick Cave & The Bad Seeds - Dig, Lazarus, Dig!!! (2008) [Re-Up]  Music

Posted by Designol at Oct. 3, 2020
Nick Cave & The Bad Seeds - Dig, Lazarus, Dig!!! (2008) [Re-Up]

Nick Cave & The Bad Seeds - Dig, Lazarus, Dig!!! (2008)
EAC | FLAC | Tracks (Cue&Log) ~ 372 Mb | Mp3 (CBR320) ~ 122 Mb | Scans ~ 125 Mb | 00:53:40
Alternative Rock, Experimental Rock | Label: Mute | # LCDSTUMM277, 5099951830526

Dig, Lazarus, Dig!!! is the fourteenth studio album by Australian alternative rock band Nick Cave and the Bad Seeds. The album was recorded in June and July 2007 at The State of the Ark Studios in Richmond, London and mixed by Nick Launay at British Grove Studios in Chiswick, and was released on 3 March 2008.It would also be the last album to feature founding member Mick Harvey, who left the Bad Seeds in 2009, and the second without founding member Blixa Bargeld. Dig features the same personnel as the Abattoir Blues/The Lyre of Orpheus double album. It is also the first to be released since the Bad Seeds side project Grinderman released their eponymous album. In several interviews Cave has stated that this album would "sound like Grinderman", implying a garage rock sound. In line with this rough-and-ready approach, the album was recorded in about five days, an uncommonly short period for a full-length album.