The Body Remembers Casebok

The Body Remembers is the tenth studio album by American singer-songwriter Debbie Gibson, released on August 20, 2021, by her own label Stargirl Records. It is her first studio release with original songs since her 2001 album M.Y.O.B.

Debbie Gibson releases her first pop album in 20 years. Entitled "The Body Remembers" This 14 song collection is a well rounded combination of dance/pop, pop/rock, and ballads including a re-imagined version of her mega-hit 'Lost In Your Eyes' with Joey McIntyre.

Challenging the notion that clients with PTSD must revisit, review, and process their memories to recover from trauma.

Tormented, gut-wrench metal heaviness from The Body and their new spar, producer OAA, addling their formula with jagged edits, obliterated texture and mighty industrial pulses.

This monograph explores the full context of sex-selective abortion (SSA) in India by examining the historical forces, political movements, government policies, and gender regimes that shape this reproductive practice. Using qualitative research methods within a feminist methodology, including in-depth interviews with service providers and professionals in New Delhi and a content analysis of Indian newspapers, the study engages the following areas of analysis: the social structures and determinants of SSA in India, the potential for women’s agency in SSA, and the representations of SSA and SSA-seeking women in the Indian media. This research expands the discourse and analysis of SSA by facilitating a nuanced and multilayered exploration of a profoundly contextual, personal, and gendered reproductive issue by grounding data and interpretation in the lived experiences of research participants with systems-wide knowledge of SSA. Further, the feminist theory-informed analysis moves away from normative victimhood frameworks. Lastly, the book contributes to the understudied area of media discourse analysis on the intersections of gender and SSA in national news coverage.

This book adopts a cultural sociology of materiality to explore the hallmark of the female athlete: the ponytail. Studying a wealth of news articles about ponytails in sports and society, Broch uncovers this hairstyle’s polyvocality and argues that it is a total social phenomenon. By separating his approach from the cultural studies tradition, Broch highlights how hair is imbued with codes, narratives, and myth that allow its wearers to understand, maneuver, and criticize social gender relations in deeply personal ways. Using multiple theories about hair, bodies, myths, and icons, he creates a multidimensional method to show how icons are imitated and used. As women navigate their practical lives, health issues, and gendered expectations, the ponytail materializes their dynamic maneuvering of cultural and social environments. Sporting a ponytail—itself an embodiment of movement—is filled with a performativity of social movements: a cultural kinetics that is never apolitical.