The revamped 1995 edition of Anthology includes all of the group's hit singles, as well as significant album tracks and singles that didn't chart, making it the definitive portrait of the popular, groundbreaking urban contemporary group.
Lionel Richie's Back to Front isn't just a definitive greatest hits collection, it's a reminder of Richie's supreme strengths as an R&B singer-songwriter. From the gentle sweep of "Do It to Me" to the earnest lovelorn crooning of "Hello," Richie's ballads are timeless. Even the borderline sappy "Endless Love" shines despite cosinger Diana Ross's histrionics. Also featured is "Still" and "Say You, Say Me," and while the faster songs–the Caribbean-inspired rhythms of "All Night Long" and the '80s synthpop of "Running with the Night"–are weaker, they hardly detract from this otherwise sterling survey.
The year was 1977 - and this was the album that turned the Commodores into certifiable superstars in the crossover and commercial market. Not that they weren't popular before - they had a huge R&B following, consistently amazing albums, and some pop music success, but nothing like it was after this album was released. 1977 was the year that the group embarked upon a massive nationwide tour, and their audience grew and grew to monumental proportions. This album was flying off the shelves in the music stores. Three of the songs from it that would go on to be classics were responsible for that. Ad campaigns, movie and TV roles for the funk sextet from Alabama followed as a result.
R&B purists have often argued that the Commodores did their most essential work before 1977. It was in 1977 that they crossed over to the pop/adult contemporary audience in a major way with "Easy," and subsequent hits like 1978's "Three Times a Lady" and 1979's "Still" (both of which reached number one on Billboard's pop singles charts) certainly weren't the work of R&B snobs. Of course, Lionel Richie never claimed to be an R&B purist, although it is safe to say that the Commodores were still a hardcore funk/soul band when their third album, Movin' On, came out in 1975. From an R&B standpoint (as opposed to a pop or adult contemporary standpoint), this is one of their most essential releases.
For the Commodores, losing Lionel Richie in 1982 was a lot like L.T.D. losing Jeffrey Osborne and Rose Royce losing Gwen Dickey – it was a severe blow, although not a fatal one. In fact, the Commodores had a few major hits after Richie's departure, including 'Nightshift' (a number one R&B/number three pop smash) in 1984 and 'Goin' to the Bank' in 1986. Released in 1983, Commodores 13 was the band's first post-Richie album as well as its first album without producer James Carmichael (who had been working with the Commodores since 1974). This LP came out around the same time as Richie's second solo album, Can't Slow Down, which sold over eight million copies in the U.S. alone. Commodores 13 didn't do nearly that well, although it's a generally decent, if uneven, record that had a number 20 R&B hit in 'Only You.'
The Commodores made one final stab at regaining R&B glory when Lionel Richie and producer/arranger James Anthony Carmichael both left in the mid-'80s. J.D. Nicholas became their lead singer, and Dennis Lambert assumed production duties. They rebounded temporarily, when "Nightshift" leaped out of an otherwise ordinary album to become a Grammy-winning R&B and pop smash. It stayed atop the R&B charts for a month, and peaked at #3 on the pop chart. Unfortunately, it was also the end for Thomas McClary, who left the group once the album had run its course. It was their next-to-last hit, and basically the end for the band, although they continued for a couple more years.
Though they began as a hard-driving funk outfit, Lionel Ritchie's Commodores soon became Premier League purveyors of super soulful ballads. Songs like 'Easy' and 'Three Times A Lady' were instant hits and remain classics. Those songs lead off this brand new collection which also includes lots of lesser known ballads and rare romantic gems. Together with the hits, they prove that the Commodores love catalogue is second to none.