The Departed Sountrack

Performing with his new band in front of eager hometown fans, Springsteen goes the extra mile in this spirited set showcasing Human Touch and Lucky Town along with a few special treats. New Jersey 1992 delivers 13 songs from the two albums, from “Living Proof” and “Souls Of The Departed” to “Real Man” and “All Or Nothin’ At All.” It also features the tour’s only performance of the gospel gem “Ninety-Nine And A Half (Won’t Do)” showcasing the background singers, plus a unique solo-to-band arrangement of “Open All Night” that hilariously updates the turnpike tale.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.

Breathtaking collection of music from all five seasons of the popular BBC TV drama. 'Poldark' actress and singer Eleanor Tomlinson makes an appearance on several tracks - her debut album, produced by Anne Dudley, peaked at Number 14 in the UK Albums Chart. In 2017, Dudley's score for 'Poldark' was nominated for a BAFTA TV award in the Best Original Music category.

From Tyler Henry, a twenty-year-old clairvoyant and star of E!’s hit reality series Hollywood Medium with Tyler Henry, comes Between Two Worlds, a memoir about his journey as a medium thus far.

The Untold Story of American Funeral and Mourning Traditions

One of the most prolific and influential film composers of the late 20th and early 21st centuries, Germany's Hans Zimmer began his music career in London, producing and playing synths for a variety of new wave and punk bands in the early 1980s. After founding a recording studio with film scorer Stanley Myers, their work on films such as 1985's My Beautiful Laundrette fused the traditional orchestral aesthetic of film composition with state-of-the-art electronics and proved influential on countless soundtracks to follow.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.