The Feedle Bumpler to Find The Baby Heartbeat

After recording one of their darkest albums, 1984's The Top, the Cure regrouped and shuffled their lineup, which changed their musical direction rather radically. While the band always had a pop element in their sound and even recorded one of the lightest songs of the '80s, "The Lovecats," The Head on the Door is where they become a hitmaking machine. The shiny, sleek production and laser-sharp melodies of "Inbetween Days" and "Close to Me" helped them become modern rock radio staples and the inspired videos had them in heavy rotation on MTV. The rest of the record didn't suffer for hooks and inventive arrangements either, making even the gloomiest songs like "Screw" and "Kyoto Song" sound radio-ready, and the inventive arrangements (the flamenco guitars and castanets of "The Blood," the lengthy and majestic intro to "Push," the swirling vocals on "The Baby Screams")…

Introducing an amazing blues album filled with the raw blues spirit. This is the strongest blues album of 1997 by the indomitable Carter Brothers, who perfectly expressed the enthusiasm of 1960s Southern blues in the modern era. Thirty years after their 60's Jewel Records work, which became a hot topic when it was first released as an LP on P-Vine, they have finally returned. This long-awaited work is a worldwide event. The power of Roman Carter's hard vocals and the heavy movement of the sound and beat are absolutely amazing!
This electric blues act with a soul bent recorded for Jewel Records, among other labels. Roman Carter (lead vocals, bass), Albert Carter (guitar), and Jerry Carter (vocals, piano) came from Garland, AL, and began recording in 1964 for producer/songwriter Duke Coleman's local label. Stan Lewis' Jewel Records…