Together with the Filarmonica della Scala, Riccardo Chailly explores the iconic film scores of Nino Rota in a new collection, The Fellini Album. Slated for release on June 7 to mark 40 years since Rota’s death in April 1979, the album contains music from classic Federico Fellini films that capture the spirit of Italian cinema in the 1950s and 60s. The Fellini Album includes brand new recordings of music from La Dolce Vita, Amarcord, 8 ½, The Clowns and Il Casanova. The Fellini Album is available to pre-order now and will be released on Decca Classics/Universal Music Canada, the country’s leading music company on June 7.
Amor Louco (Portuguese for Mad Love) is the fourth studio album by Brazilian post-punk band Fellini. It was released on February 15, 1990 by now-defunct independent record label Wop-Bop Records and re-released in CD form in 2001 by another independent label, RDS. It was originally Fellini's last album, due to their break-up in the following year; however, they reunited in 2001 and released another album, Amanhã É Tarde.
This excellent live record by Paolo Fresu and Furio Di Castri (Audion Recordings label) collects part of the concert which took place in July 1999 at the Enoteca Italiana at the Fortezza Medicea in Siena, at the end of the annual 'Siena Jazz' specialization courses. our two artists are teachers. Fresu and Di Castri are two musicians who have often experimented with their instruments (trumpet and double bass) without ever compromising the lyricism and poetics of their compositions or reinterpretations of classical standards. This LIVE performance made up of songs by the same authors plus some famous covers, only confirms the great musical eclecticism of the two artists who are able to extract absolutely new and unexpected sounds from their instruments, building a precious, unusual and fascinating sound picture.
I Compani has been around since 1985, and its mandate hasn't changed much at all since. The ensemble, formed and still directed by alto and tenor player Bo van de Graaf, devotes itself to the music of Nino Rota, whom film fans will recognize as Federico Fellini's Bernard Hermann. Over the years, van de Graaf and other members of the band have fattened the band's book with original compositions in the style of Rota, but it's Rota's work that still forms the core of I Compani's output. Fellini (IcDisc), a collection of Nota and van de Graaf compositions performed live, marks the band's second decade, and by now this routine is old hat. The band performs Rota's surreal folk music, minor-key ballads and carnival marches with balance and precision, saving the longer solos for van de Graaf's more atmospheric and open-ended pieces. Pieter Douma's electric bass gives the music a slightly funky touch, but the overall mood is respectful. For the curious: Fellini pulls from La Dolce Vita, 8 1/2, La Strada, Juliet of the Spirits, Amarcord and Casanova.