The Forbidden Duke Darcy Burke

Stanley Clarke and George Duke,two musical titans who'd worked together for years finaly get around to doing a duo album, namely one that emphasises the funk that both artist's regular releases tended to skim over and considering funk is both artists best asset,that's a wonderful thing.

A brilliant player on both acoustic and electric basses, Stanley Clarke has spent much of his career outside of jazz, although he has the ability to play jazz with the very best. He played accordion as a youth, switching to violin and cello before settling on bass. He worked with R&B and rock bands in high school, but after moving to New York, he worked with Pharoah Sanders in the early '70s. George Duke showed a great deal of promise early in his career as a jazz pianist and keyboardist, but has forsaken that form to be a pop producer.

While this CD didn't have the vibe of our first record together, it was vastly superior to the second CD. There was a lot of raw energy coupled with orchestration finesse. That's what Clarke/Duke is about - sweet and sour! ~ George Duke

This CD reissue features Duke Ellington and His Orchestra running through 11 of the leader's hits (+ 3 Bonus tracks) and a lesser-known blues tune, "The Twitch." The 1966 version of his big band still had all of its main stars, including such major voices as trumpeters Cootie Williams and Cat Anderson, trombonists Lawrence Brown and Buster Cooper, altoist Johnny Hodges, Paul Gonsalves on tenor, and clarinetist Jimmy Hamilton. All are featured on The Popular Duke Ellington. Since the material is all very familiar, and mostly quite concise (nothing over six minutes long, and a version of "Do Nothin' Till You Hear From Me" that is under two minutes), few surprises occur. But Ellington fans will enjoy this well-played effort.

The Essential Duke Ellington, a two-CD set, differs from previous Columbia/Legacy Duke Ellington reissues in that the music is drawn not only from Sony's vaults but from BMG's vaults, too. Four selections are from the 1920s, 20 date from the 1930s, seven are from the 1940s, and the final six were recorded between 1950 and 1960. Is this an essential acquisition? Most Ellington collectors will already have all of these performances in more complete fashion, while general collectors should realize that this two-fer does not cover Ellington's final 14 years and largely overlooks most of the highlights from the 1950s…

This box set is drawn exclusively from the years 1932 to 1939. You get 75 tracks of prime Ellington from the 30s, including the first recordings of a number of undisputed masterpieces, such as 'Sophisticated Lady', 'Solitude', 'Prelude to a Kiss', 'Clarinet Lament', 'Echoes of Harlem' and 'Diminuendo and Crescendo in Blue', among many more. There are of course other great Ellington recordings from the 30s not represented here - his elegy for his mother, 'Reminiscing in Tempo', for one - for Ellington recorded for a bewildering variety of labels, and these are just the ones currently owned by Sony. There are no sleeve notes, and no listings of the musicians, which is a bit frustrating. But for a 3 disc survey of the period in question, you really can't do better than this.