Digitally remastered from the original analog masters. Art Blakey's Jazz Messengers not only supplied consistently exciting and innovative music for nearly 40 years, but also provided the experience and mentoring for young musicians to learn their trade.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Leader of The Jazz Messengers at the time of this recording for over 22 years, drummer Art Blakey was still discovering new talent. In addition to altoist Bobby Watson, trumpeter Valeri Ponomarev and David Schnitter on tenor, this particular session introduced the great pianist James Williams to The Messenger fold. Despite the changes in musical fashions, Art Blakey and his hard-bop institution were still turning out new material and solos in the late '70s that sound fresh and alive today.
Killer stuff by Art Blakey – one of his few non-Blue Note sessions from the time, and a hard-wailing set that features the Jazz Messengers as a sextet! The format is one that flourished briefly in these early 60s years – and in this case, the already great lineup of Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano is joined by Curtis Fuller on trombone – a frontline that makes for some really amazing music, and which starts to bring in a lyrical energy to the group that's really amazing! The force of Fuller on the ensemble cannot be denied – and the group shift from straight hardbop with a soulful bent into an even more inspired mode – as you'll hear on the album's classic reading of Fuller's "Ala Mode" – nestled in alongside Jazz Messenger takes on standards like "Invitation", "I Hear A Rhapsody", and "You Don't Know What Love Is".
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Leader of The Jazz Messengers at the time of this recording for over 22 years, drummer Art Blakey was still discovering new talent. In addition to altoist Bobby Watson, trumpeter Valeri Ponomarev and David Schnitter on tenor, this particular session introduced the great pianist James Williams to The Messenger fold. Despite the changes in musical fashions, Art Blakey and his hard-bop institution were still turning out new material and solos in the late '70s that sound fresh and alive today.