The Last Waltz was a concert by the Canadian-American rock group The Band, held on American Thanksgiving Day, November 25, 1976, at Winterland Ballroom in San Francisco. The Last Waltz was advertised as The Band's "farewell concert appearance", and the concert saw The Band joined by more than a dozen special guests, including their previous employers Ronnie Hawkins and Bob Dylan as well as Paul Butterfield, Bobby Charles, Eric Clapton, Neil Diamond, Dr. John, Joni Mitchell, Van Morrison, Ringo Starr, Muddy Waters, Ronnie Wood, and Neil Young…
The Last Set at Newport is a 1971 live album by Dave Brubeck and his quartet recorded at the 1971 Newport Jazz Festival, shortly before a riot ensued. The album peaked at 16 on the Billboard Top Jazz Charts. The album was reviewed by Scott Yanow at Allmusic who wrote that "The Dave Brubeck-Gerry Mulligan quartet is heard in a very inspired performance at the Newport Jazz Festival, just a short time before a riot by the audience closed the festival. These versions of "Take Five" and "Open the Gates" are memorable, but it is the extended "Blues for Newport" that is truly classic." Yanow wrote that the musicians "…constantly challenge each other during this exciting performance, making this set well-worth searching for."
Digitally re-mastered deluxe edition of this 1982 album from Southern Rocker Johnny Van Zant, brother of Ronnie (Lynyrd Skynyrd) and Donnie (.38 Special). Last of the Wild Ones was the JVZ Band's third studio album and finds the them returning to a more authentic sound, a style in keeping with their highly praised debut album, paying less heed to commerciality and more attention to traditional 70s style southern rock. It also marked the return of veteran producer Al Kooper, a man who not only discovered, signed and produced Skynyrd but also sat behind the recording desk of the debut JVZ Band album. Sharper, more concise and rougher around the edges than their second album, Last of the Wild Ones takes no prisoners, leaping out of the speakers all guns blazing. With brother Donnie co-writing half the album, this is truly a joining of forces and a serious statement of intent.
After 25 years, constant traveling, nine albums, and various solo projects, Saffire are calling it quits with one last tour and Havin' the Last Word, a collection of new tunes, covers of favorites, and songs that define their dissolution. It sounds as though it's a happy-sad decision, gratified for all the success and love accrued from their fans, but pleased for future blues via other partnerships and collaborations that can now be achieved individually. Though all will pursue solo careers – Ann Rabson is already firmly established – it is this magical and timeless combination of spirit, focused same-page concept, and great musicianship that has served Saffire very well far beyond most bands. This final effort showcases individual vocal tracks, as if the group members are already preparing for going out on their own, as there's very little group harmonizing. Individual efforts notwithstanding, the group still convenes musically on common ground, especially when Rabson plays piano, Gaye Adegbalola jams on the slide guitar or harmonica, and Andra Faye offers her musings on fiddle, mandolin, or upright bass.
This recording has been cleaned up and mastered by Wayne which shows the raw intensity of the build up to that very first show.