The Latin Bit

Grant Green, being known mainly as a soul jazz guitarist, eventually gravitated into the popular boogaloo sound. The Latin Bit is the natural bridge to that next phase, though a bit premature for most in 1961-1963, even relative to the subsequent bossa nova craze. Pianist Johnny Acea, long an underrated jazzman, is the nucleus of this session, grounding it with witty chops, chordal comping, and rhythmic meat. The Latino rhythm section of drummer Willie Bobo and conga player Carlos "Patato" Valdes personify authentic, seasoned spice, while at times the chekere sound of Garvin Masseaux makes the soup too thick. At its collective best, the group presents a steady, serene, and steamy "Besame Mucho" and the patient, slow, slinky, sultry "Tico Tico"…

The Latin Jazz Quintet had an odd history. The short-lived group, which had quite a bit of turnover during its life, is today best-known for two sessions (one for New Jazz and a more obscure set for United Artists) in which it was joined by Eric Dolphy. Those two dates (particularly the New Jazz outing) found Dolphy largely ignoring the Latin Jazz Quintet and vice-versa; at no time does the adventurous soloist and the more conventional ensemble react to or even acknowledge each other! Conga player Juan Amalbert was the original leader of the LJQ with the lineup on their first recording (the Dolphy New Jazz date) also including vibraphonist Charlie Simmons, pianist Gene Casey, bassist Bill Ellington, and Manny Ramos on drums and timbales…