The Top 100 '60s Rock Albums represent the moment when popular music came of age. In the earliest part of the decade, bands were still regularly referencing earlier sounds and themes. By the middle, something powerful and distinct was happening, which is why the latter part of the '60s weighs so heavily on our list. A number of bands evolved alongside fast-emerging trends of blues rock, folk rock, psychedelia and hard rock, adding new complexities to the music even as the songs themselves became more topical. If there's a thread running through the Top 100 '60s Rock Albums and this period of intense change, it has to do with the forward-thinking artists who managed to echo and, in some cases, advance the zeitgeist. Along the way, legends were made.
The Swing Low in Hi Fi/A Look at Monaco two-fer from Collectables features a pair of out of print LPs by Percy Faith, both originally issued on Columbia in 1956 and 1963, respectively. Highlights include orchestral versions of traditional spirituals, including "Swing Low, Sweet Chariot," "Deep River," and "Go Down Moses," followed by an audio documentary on Monaco featuring narration by Princess Grace and, with the exception of "National Anthem," original music composed by Percy Faith and performed with Orchestre National de l'Opera de Monte Carlo.
It's great to see the music of Nino Rota getting so much attention. He was a wonderful composer, and the ballet suite from La strada may be his orchestral masterpiece (just a quick note: the French language title identifies this as a suite from the eponymous film; it is in fact the more familiar arrangement of the later ballet). There are now four competitive recordings of this piece, the least interesting of which is on Chandos with the Teatro Massimo orchestra: not bad, but not as well played or recorded as either Muti's slightly stiff version with the excellent La Scala forces, or Atma's brilliant recent release featuring the Greater Montréal Metropolitan Symphony Orchestra under Yannick Nézet-Séguin. All of the couplings differ in various ways, though Muti also has the dances from Il gattopardo (The Leopard).
The Complete Album Collection, Vol. One brings those musical journeys together in one deluxe box set. All of Dylan’s original studio and live albums are included–42 albums in all. Fourteen of these have been newly remastered for this set, and each is housed in mini-jacket packaging, perfectly replicating each original release. Also included in The Complete Album Collection, Vol. One is Side Tracks, a new two-disc set of songs from non-album singles, compilations and more.