When Detroiter David Usher and Dizzy Gillespie founded the Dee Gee record label, they might have had an inkling that their project could, and would, fail financially due to poor distribution, the conversion from 78s to LPs, and the heavy hammer of the taxman. They might have felt, but could not have imagined, that they would create some of the most essential and pivotal jazz recordings for all time, not to mention some of the last great sides of the pioneering bebop era. Gillespie's large ensembles brought to public attention the fledgling young alto and tenor saxophonist John Coltrane, such Detroiters as guitarist Kenny Burrell or pianist/vibraphonist Milt Jackson, and vocalists Joe Carroll, Freddy Strong and Melvin Moore. Considering the years – 1951 and 1952 – this was revolutionary breakthrough music from a technical and entertainment aspect, delightful music that has stood the test of time and displays the trumpeter in his prime as a bandleader.
The Songbooks inherited from the musical tradition of Broadway are at the epicentre of Oscar Peterson´s musical culture; this was also the case for the one he regarded as a master : Art Tatum. It was to the extent that Oscar Peterson recorded them twice. The first time was at the beginning of 1950s principly as a Trio with guitar and double bass, then a second time with double bass and drums a few years later. It is this first wonderful remastered series that is presented to you here. Technical mastery, irresistible swing, constant inventivness and a remarkable complicity with Ray Brown, Barney Kessel and Herb Ellis characterise this sum of inexhaustible richness.