The Montreal Black Community Youth Choir

The Singapore Symphony and its music director Hans Graf present a recording of Józef Kozłowski’s Requiem, together with the Singapore Symphony Chorus & Youth Choir, as well as a quartet of outstanding soloists: Olga Peretyatko (soprano), Olesya Petrova (mezzo-soprano), Boris Stepanov (tenor) and Christoph Seidl (bass). The Requiem (1798) was commissioned to Kozłowski by the abdicated King Stanisław of Poland, and can be perceived as a requiem not just for the monarch, but for the entire Polish nation, absorbed by the Russian state during the 1780s.

Featuring both taut, keenly focused ensemble playing and raucous, spirited soloing, THE INTANGIBLE BETWEEN reflects the ever-growing chemistry Orrin Evans and the core ensemble of the Captain Black Big Band while celebrating bandleader's’ open-door policy toward collaborators new and old. The rotating cast of players, while maintaining the more compact scale introduced on the band’s last album, the Grammy-nominated PRESENCE, also features first-time members alongside veterans that joined the ranks in its earliest days and special guests whose collaborations with Evans stretch back over many years.

Ever since the early days of the Beatles, Paul McCartney has known the value of a pseudonym, famously registering into hotels under the surname Ramone and pushing the Fab Four to act like another band for Sgt. Pepper. This carried through to his solo career, where he released a couple odd singles while flitting back and forth with Wings, but he never again embraced the freedom of disguise like he did with Sgt. Pepper until 2008, when he put out the Fireman's Electric Arguments. McCartney created the Fireman alias with Youth back in the mid-'90s when electronica was all the rage and Macca hesitated dipping his toe in the water on his own LPs. A decade after Rushes, he revived the Fireman moniker not to cut another electronic record but to put out what in effect was McCartney III: a weird clearinghouse of experiments, jokes, detours, and rough-hewn pop…

Magic Slim has released a pile of albums, all of them true to his group's house-rocking credo. The idea this time around was to hook him up with producer Dick Shurman and get Slim to record tunes he hadn't committed to wax yet. With a tight version of the Teardrops aboard (the ubiquitous Nick Holt on bass and vocals, Michael Dotson on rhythm, Allen Kirk on drums, and Slim's son Shawn Holt making a guest appearance on "Young Man's Blues"), Slim turns in a solid effort here. But perhaps the biggest change this time around is the inclusion of four original tunes from Slim, big news for a combo that many consider to be the ultimate blues cover band. Counting Nick Holt's "Playin' with My Mind" and Shawn Holt's "Young Man's Blues," the original material is up to the 50-percent mark, making this their most adventuresome outing to date.

"Bite The Bullet were originally formed in 1986 by singer songwriter Mick Benton and drummer Graham Cowling. They met in 1984 when they both joined West London rock band “Mother’s Ruin”. Thanks to the legendary Greg Lake, Benton managed to secure a solo deal with Atlantic Records and he asked Cowling to play drums. Its good to see that their collaboration is still strong to this very day. Mick and Graham decided to get writing new material for a second “Bite the Bullet” album and the result is outstanding, coming across like Mr Mister meets Asia. The new songs are a natural continuation of the original BTB sound and have a great feel to them, opener “Rock to Stones” is a killer. A great start to 2021!."