This limited edition box set includes 35 sonic spectacular albums from the early golden age of digital when Decca’s engineers created a new DECCA SOUND. This set is a celebration of the nearly 25-year partnership between conductor Charles Dutoit and the Orchestre Symphonique de Montréal. Highlights include recordings of Ravel, Saint-Saëns, Berlioz, Bizet, Respighi, Stravinsky, Holst, Debussy and much more.
In volume four of the Charlie Haden concerts at the 1989 Montreal Festival, Montreal Tapes with Gonzalo Rubalcaba, Paul Motian returns as the drummer, but this time, the piano chair is occupied by the then-little-known Haden discovery, Cuban Gonzalo Rubalcaba, who proceeds to dazzle the audience with his mind-boggling speed. Rubalcaba's irresistible momentum drives this session whenever he solos; all the others can do is hang onto the whirlwind. The music-making in general, though, is more tied to the mainstream than that of the companion Montreal trio album with Geri Allen, and this group doesn't have quite the same internal compatibility as that of the Allen trio.
This limited edition box set includes 35 sonic spectacular albums from the early golden age of digital when Decca’s engineers created a new DECCA SOUND. This set is a celebration of the nearly 25-year partnership between conductor Charles Dutoit and the Orchestre Symphonique de Montréal. Highlights include recordings of Ravel, Saint-Saëns, Berlioz, Bizet, Respighi, Stravinsky, Holst, Debussy and much more. This box coincides with Dutoit’s much anticipated return to Montréal after nearly 15 years. 2016 also marks the return of Decca recording in Montreal in their brand new Symphony hall with rare repertoire in a new association with Kent Nagano.
Randy Bachman is a Canadian rock guitarist and singer. He was born in Winnipeg and was a member of Chad Allen & the Expressions, which evolved into the Guess Who, the most successful Canadian rock band of the 1960s. He left the Guess Who in July 1970, made a solo album, Axe, and then formed Brave Belt, which evolved by 1972 into Bachman-Turner Overdrive (BTO).
Hymn singing is fundamental in protestant churches, but not normally the subject of an album released worldwide. The musicianship presented here is singular, sung by two volunteer choirs with power and emotion. The inspired arrangements heard on this recording have developed over decades of working with wonderful choirs and congregations, as well as by singing with, and listening to, many inspired colleagues. Some of the descants were conceived for particular services, while other arrangements grew further for special occasions. Several of the brass arrangements were composed for the ordination and consecration of the Rt. Rev. Alan Gates as Bishop of the Episcopal Diocese of Massachusetts in 2014.
Recorded on the opening night of the Festival International de Jazz de Montreal as part of an eight-concert series paying tribute to Charlie Haden. While the other evenings all featured stellar musicians and wonderful collaborations, this one is special because it features Haden in a trio of players not usually associated with him: drummer Al Foster – fresh from Miles Davis' band, and the late tenor giant Joe Henderson. In fact, Haden has subtitled the set, "Tribute to Joe Henderson." There are four extended tunes on the set, the shortest of which is the opener, a gorgeous, wide open rendering of Thelonious Monk's "'Round Midnight," on which Henderson begins to display some of the same modal soloing traits he employed on his Blue Note recordings Mode for Joe, and Inner Urge.