The Moon of Hoa Binh

Why write another guide to observing the Moon? That was the question I was pondering as I began this project, having a fine collection of "classic" lunar guidebooks dating back to 1791 in my own library. As a Fellow of the Royal Astronomical Society (RAS), member of the American Astronomical Society's Division for Planetary Sciences (AAS DPS), and member of the American Geophysical Union (AGU), I am fortunate to know many pro­ fessionallunar scientists who keep me up to date with developments in lunar scienc- contrary to public perception, lunar science has definitely not stagnated since the last Apollo, No. 17, left the surface of the Moon in December, 1972. I am also lucky to know many amateur lunar observers, who, like me, enjoy actually looking at the Moon with tele­ scopes and imaging it with a wide variety of devices ranging from regular 35 mm cameras to video recorders and CCD cameras. My friends who study the Moon, whether in their professions or just for fun, gave me several reasons for doing "another" lunar guidebook. First, the last lunar observer's guide of any length was published over ten years ago, and many reviewers noted that it was badly out of date even then.

Proceedings of Symposium No. 47 organized by the IAU held in Newcastle upon Tyne, England, March 22-26, 1971

The authors discuss the history of physical science, from the ancient Greeks until modern times.

Bringing together scholars from a broad range of theoretical perspectives, The Language of Argumentation offers a unique overview of research at the crossroads of linguistics and theories of argumentation.

This book illustrates how to design and implement co-creation, a powerful form of collective creativity that harnesses the potential of teams and can generate breakthrough insights. Skilled leaders and facilitators can utilize this approach to unleash the creative potential of their organizations.

The earth, viewed through the window of an airplane, shows a regularity and reptition of features, for example, hills, valleys, rivers, lakes, and forests. Nevertheless, there is great local variation; Vermont does not look like Utah. Similarly, if we rise above the details of a few programming languages, we can discern features that are common to many languages.

In this book the author draws inspiration from Sun Tzu's Art of War, a work that explains conflict between nations, and he applies this to the computer security setting, examining how we should consider protecting information systems from accidents or malicious attacks.

This undergraduate textbook aids readers in studying music and color, which involve nearly the entire gamut of the fundamental laws of classical as well as atomic physics. The objective bases for these two subjects are, respectively, sound and light. Their corresponding underlying physical principles overlap greatly: Both music and color are manifestations of wave phenomena. As a result, commonalities exist as to the production, transmission, and detection of sound and light.

In contributing a foreword to this book I am complying with a wish my husband expressed a few days before his death. He had completed the manuscript of this work, which may be considered a companion volume to his book Formal Methods. The task of seeing it through the press was undertaken by Mr. J. J. A. Mooij, acting director of the Institute for Research in Foundations and the Philosophy of Science (Instituut voor Grondslagenonderzoek en Filoso:fie der Exacte Wetenschappen) of the University of Amsterdam, with the help of Mrs. E. M. Barth, lecturer at the Institute. I wish to thank Mr. Mooij and Mrs. Barth most cordially for the care with which they have acquitted themselves of this delicate task and for the speed with which they have brought it to completion. I also wish to express my gratitude to Miss L. E. Minning, M. A. , for the helpful advice she has so kindly given to Mr. Mooij and Mrs. Barth during the proof reading. C. P. C. BETH-PASTOOR VII PREFACE A few years ago Mr. Horace S.