Featuring an all-star eclectic ensemble of like-minded musicians–Jesse Sykes (acoustic guitar, vocals); Dave Alvin (electric guitar); Victor Krummenacher (bass guitar); David Immerglück (guitar/harmonium/mellotron); and Michael Jerome (drums/percussion)– The Third Mind 2, this supergroup's second album, reflects the band members varied musical histories with a “no safety parachute” recording approach using free-form studio techniques, no rehearsals, no preconceived arrangements, and recording spontaneous group improvisations live in studio.
The The is an English musical and multimedia group with singer/songwriter Matt Johnson being the only constant band member. The group has no permanent group line-up, and Johnson has collaborated with a wide range of musicians, changing personnel from project to project…
The The is an English musical and multimedia group with singer/songwriter Matt Johnson being the only constant band member. The group has no permanent group line-up, and Johnson has collaborated with a wide range of musicians, changing personnel from project to project…
The Dave Weckl Acoustic Band represents the realization of a dream. In 2013, while touring with Mike Stern, Dave was reintroduced to playing with the amazing Makoto Ozone. Dave met Makoto in the '80s, and Makoto blew Dave away during this tour! Each night, Mike would give some space for Dave, Makoto, and Tom Kennedy to improvise a song. The guys would take this opportunity to really stretch out! The chemistry was amazing. This record is loaded with straight ahead jazz, a little funk, a little Latin, and more.
Jericho was a surprise. The reunited Band, minus guitarist Robbie Robertson, created an album that built on their strengths by using carefully selected contemporary songwriters and covers. Although it lacked the resonance of Music From Big Pink or even Stage Fright, the group sounded fresh and it was a better album than most of the Band's solo records. High on the Hog, the second album by the reunited Band, isn't quite as good but it has a number of stellar moments. The key to the album's success isn't the material – they're saddled with a couple of weak songs – but the group's interplay. By now, the musicians have developed a sympathetic interaction that sounds ancient but still living, breathing and vital. It's a joy to hear them play and that's what carries High on the Hog over its rough spots.