The Nutcracker Suite Wynton

Tchaikovsky - almost alone - saw the possibilities of specially-composed music for the classical ballet, which was hugely popular in nineteenth-century Russia. His secret was to work closely with his choreographer and link music and dance routines at the outset: this proved vital to the stage action and the final success of the whole production. Swan Lake was the first, and Nutcracker the last of Tchaikovsky’s three ballet scores. Following the success of Sleeping Beauty came the request for another ballet, which eventually formed a double-bill with his opera Yolanta. Tchaikovsky agreed, unusually, that some of the Nutcracker music could be played at an orchestral concert before the ballet opened in St Petersburg. At the concert, an enthusiastic audience encored almost every number.

Fans of the Nutcracker Suite who are looking for more of the same type of music need look no further than the complete ballet, which contains almost four times as much music as the eight-movement suite. The suite includes much of the most striking music, but the entire ballet is a lovely, lyrical piece that should appeal to fans of graceful Romantic orchestral music. Mikhail Pletnev, leading the Russian National Orchestra and the Vesna Children's Choir, delivers an elegant account of the score.