The Plague Cliff Notes

"I'm No Hero" is a 1980 album by Cliff Richard. The album features three hit singles, including "Dreamin'" and "A Little in Love", which were top 20 hits in both the UK and the US. The album received positive reviews and kept Richard high in the charts during this, his revival period. It was also the last time he would appear in the US top 20. Album track "Give a Little Bit More", which was co-written by Andy Hill, who was about to become famous as writer and producer for Bucks Fizz, was released in some countries as a single, as was "In the Night" - although this wasn't the same as the Barbara Dickson song which was released around the time (and was also produced by Tarney). "Give a Little Bit More" gave Richard a third hit from the album in the US, peaking at #41.

Cliff Richard In the years after Elvis Presley but before the Beatles, Cliff Richard was the biggest thing in British rock & roll – and in the years after the Beatles, he was never far from the top of the U.K. charts. Arriving in 1958, just a couple of years after skiffle swept Britain, Richard was the first English singer to approximate the hip-shaking rebellion of American rock & roll with his 1958 debut single "Move It." A smash hit right out of the gate, "Move It" kicked off an astonishing five decades' worth of hits (as of 2014, his last time in the U.K. Top Ten was in 2008, when "Thank You for a Lifetime" went to number three). The earliest recordings, most made with his backing band the Shadows, were his hardest-rocking and undoubtedly his most influential, making an impression on almost the entire first generation of British rock & rollers. Like Presley, who was certainly Richard's key influence, Cliff's popularity wound up pushing him ever so gradually to the status of an all-around entertainer.

In the years after Elvis Presley but before the Beatles, Cliff Richard was the biggest thing in British rock & roll – and in the years after the Beatles, he was never far from the top of the U.K. charts. Arriving in 1958, just a couple of years after skiffle swept Britain, Richard was the first English singer to approximate the hip-shaking rebellion of American rock & roll with his 1958 debut single "Move It." A smash hit right out of the gate, "Move It" kicked off an astonishing five decades' worth of hits (as of 2014, his last time in the U.K. Top 10 was in 2008, when "Thank You for a Lifetime" went to number three). The earliest recordings, most made with his backing band the Shadows, were his hardest-rocking and undoubtedly his most influential, making an impression on nearly the entire first generation of British rock & rollers. Like Presley, who was certainly Richard's key influence, Cliff's popularity wound up pushing him ever so gradually to the status of an all-around entertainer. He moved into movies quickly – the first came just a year after "Move It" – and the Shadows tamed their rockabilly, but the real shift into the mainstream came after the Beatles opened the flood gates for homegrown British rock & roll, banishing Richard to the status of an older generation. Cliff continued to have hits in the '60s, even after he and the Shadows disbanded in 1968, but he split his time between pop and Christian music; in the early '70s, he focused on hosting a variety show on the BBC. Toward the end of the '70s, he made a big pop comeback with 1976's "Devil Woman," which became his first Top 10 hit in the U.S., and over the next five years, he racked up several intercontinental soft rock hits, including 1979's "We Don't Talk Anymore," 1980's "Dreamin'," and the Olivia Newton-John duet "Suddenly," taken from the 1980 soundtrack to Xanadu.

Cliff Richard In the years after Elvis Presley but before the Beatles, Cliff Richard was the biggest thing in British rock & roll – and in the years after the Beatles, he was never far from the top of the U.K. charts. Arriving in 1958, just a couple of years after skiffle swept Britain, Richard was the first English singer to approximate the hip-shaking rebellion of American rock & roll with his 1958 debut single "Move It." A smash hit right out of the gate, "Move It" kicked off an astonishing five decades' worth of hits (as of 2014, his last time in the U.K. Top Ten was in 2008, when "Thank You for a Lifetime" went to number three).

In the years after Elvis Presley but before the Beatles, Cliff Richard was the biggest thing in British rock & roll – and in the years after the Beatles, he was never far from the top of the U.K. charts. Arriving in 1958, just a couple of years after skiffle swept Britain, Richard was the first English singer to approximate the hip-shaking rebellion of American rock & roll with his 1958 debut single "Move It." A smash hit right out of the gate, "Move It" kicked off an astonishing five decades' worth of hits (as of 2014, his last time in the U.K. Top Ten was in 2008, when "Thank You for a Lifetime" went to number three).

In the years after Elvis Presley but before the Beatles, Cliff Richard was the biggest thing in British rock & roll – and in the years after the Beatles, he was never far from the top of the U.K. charts. Arriving in 1958, just a couple of years after skiffle swept Britain, Richard was the first English singer to approximate the hip-shaking rebellion of American rock & roll with his 1958 debut single "Move It." A smash hit right out of the gate, "Move It" kicked off an astonishing five decades' worth of hits (as of 2014, his last time in the U.K. Top 10 was in 2008, when "Thank You for a Lifetime" went to number three). The earliest recordings, most made with his backing band the Shadows, were his hardest-rocking and undoubtedly his most influential, making an impression on nearly the entire first generation of British rock & rollers. Like Presley, who was certainly Richard's key influence, Cliff's popularity wound up pushing him ever so gradually to the status of an all-around entertainer. He moved into movies quickly – the first came just a year after "Move It" – and the Shadows tamed their rockabilly, but the real shift into the mainstream came after the Beatles opened the flood gates for homegrown British rock & roll, banishing Richard to the status of an older generation. Cliff continued to have hits in the '60s, even after he and the Shadows disbanded in 1968, but he split his time between pop and Christian music; in the early '70s, he focused on hosting a variety show on the BBC.