Say what you want about the Cult, a band who will certainly go down as one of the most schizophrenic in rock history, but singer Ian Astbury and guitarist Billy Duffy could sure write a great tune. Just glance at a few titles included on the greatest-hits collection Pure Cult: The Singles 1984-1995: "Edie (Ciao Baby)," "Love Removal Machine," "She Sells Sanctuary," "Wild Flower," "Fire Woman," "Rain," "Lil' Devil" – you get the picture. Spread haphazardly across the disc (rather than in chronological order), each track's uniqueness is even more evident, further showcasing the Cult's fearless creativity. Early songs such as "Spiritwalker" and "Resurrection Joe" will surprise most fans with their class and maturity, while later cuts like "Wild Hearted Son," "Heart of Soul," and "Coming Down" (from their disappointing latter-day albums) are given new life when viewed on their own merits.
This is a keeper from the word "go." Recorded live in 1995 (but not released until 1998) at Yoshi's in Oakland, CA, Robben Ford is joined by long-time Blue Line trio members Roscoe Beck on bass and Tom Brechtlein on drums, as well as Bill Boublitz on a baby grand piano. Although nearly all of the songs can be found on other Ford albums (most are from Handful of Blues), one of the things that makes this jazzy recording so special is that Ford is playing only an acoustic guitar. The Ray Charles gem "Don't Let the Sun Catch You Crying" (which you WON'T find elsewhere) is simply beautiful, and on Paul Butterfield's "Lovin' Cup," it's just Ford and his guitar. The brilliance of his playing and the reason behind why so many guitar players put him at the top of their list can be found in Ford's performance on this release, alternating between lead and rhythm. The Authorized Bootleg also has great (albeit laid-back) versions of "When I Leave Here" and "Tired of Talkin'." Highly, highly recommended.
The short-lived Houston, Texas late-'60s psych band Moving Sidewalks are generally best known as one of the first bands of Billy Gibbons, who went on to fame in biker-blues arena rockers ZZ Top. In their day, Moving Sidewalks recorded their sole LP, Flash, as well as a few singles of psychedelic blues-rock, before evaporating into garage rock history and seeing Gibbons off to radically different prospects. The Complete Moving Sidewalks collects all known studio work by the band as well as demos and unreleased tracks from the Coachmen, the Gibbons-fronted predecessor that came just before Moving Sidewalks. As an album, Flash is very much a product of its time. Gibbons' vocals, guitar playing, and songwriting are all under a heavy Hendrix influence, borrowing the stoned blues side of Jimi's nonchalant playing and electric hippie persona.