The Two State Delusion

French trio Delusion Squared is a comparatively new band, formed back in 2009 and released their debut the following year. Since then an album has followed every two years. "The Final Delusion" is their third full-length production, self-released in 2014. The fairly gentle material that dominates this album, paired off with controlled, harder-edged impact sequences and occasional compositions with a dominant hard-edged sound, is one that should invoke quite a lot of interest by those who come across this production. A certain affection for female lead vocals is required of course, and then for vocals that are characteristically careful and with a strong feeling of innocence to them. Those who enjoy the gentler sides of a band like Porcupine Tree appears as a key audience for this CD, and especially those amongst them with a taste for futuristic sounds and science fiction based concept albums.

The prolific veteran continues to cover a lot of musical territory on an album that resonates with the sound of his glory years of the mid-to-late 1970s. On the first two songs, Parker recalls his breakthrough with Dylanesque phrasing on "I Discovered America" before flashing forward to the current state of British pop celebrity on "England's Greatest Clown." There's his trademark sardonicism in the socially-conscious singalongs of "Ambiguous" and "Stick to the Plan," while other highlights include songs of resilience ("Suspension Bridge," "Hard Side of the Rain") and redemption ("Somebody Saved Me"). At almost eight-and-a-half minutes, "The Other Side of the Reservoir" is epic by Parker's standards, as he follows Van Morrison into the mystic. The closing "All Being Well" could pass as a traditional Irish benediction. With arrangements largely built around Parker's acoustic guitar, the predominantly midtempo material doesn't rock as hard as Parker has, but the hooks sink deep into the soul.