Amazingly, many of the recordings guitarist Tampa Red made for RCA Victor and Bluebird in the '40s and early '50s never saw reissue until this 2015 double-disc by Ace. As John Broven points out in his rightly evangelical liner notes for Dynamite! The Unsung King of the Blues, CD-era reissues of Tampa Red usually began at the beginning, which for the guitarist meant 1934, and petered out by the late '40s, which is when Tampa Red eased away from hokum and into earthy guitar-and-piano blues that had substantial influence on the electric blues of the '50s. On Dynamite! The Unsung King of the Blues, the interaction between Tampa Red and his pianists Big Maceo Merriweather and, later, Maceo's protégé Little Johnnie Jones certainly points the way to the classic sound of Chicago blues - particularly when it's paired with a big, swinging drumbeat - and the bluesman's repertoire was also cherry-picked by B.B. King…
Amazingly, many of the recordings guitarist Tampa Red made for RCA Victor and Bluebird in the '40s and early '50s never saw reissue until this 2015 double-disc by Ace. As John Broven points out in his rightly evangelical liner notes for Dynamite! The Unsung King of the Blues, CD-era reissues of Tampa Red usually began at the beginning, which for the guitarist meant 1934, and petered out by the late '40s, which is when Tampa Red eased away from hokum and into earthy guitar-and-piano blues that had substantial influence on the electric blues of the '50s. On Dynamite! The Unsung King of the Blues, the interaction between Tampa Red and his pianists Big Maceo Merriweather and, later, Maceo's protégé Little Johnnie Jones certainly points the way to the classic sound of Chicago blues - particularly when it's paired with a big, swinging drumbeat - and the bluesman's repertoire was also cherry-picked by B.B. King…
Tampa Red's influential later recordings for RCA Victor (1945-53) have never been officially reissued on CD and rarely on LP, yet are a crucial element in the post-war blues canon. Many of his songs were covered by B. B. King, Muddy Waters and other top bluesmen. They feature the majestic piano of latter-day Elmore James sideman, Johnny Jones and include the harmonica of Big Walter 'Shakey' Horton and Sonny Boy Williamson II. There are four previously unissued tracks but none are available on authorised CD, not even on OOC releases.